Weathering the Seasons at Kusane

Living up here, at Kusane Farm, I never tire of looking at the distant Karkloof hills and the valley below us, with its constant changing moods, under sun or cloud, in various weathers, at moonrise and sunrise and when shrouded in mist. The quietness, the sense of green beatitude brings with it an overflowing sense of peace – a feeling that often seems to be in very short supply in both South Africa and the rest of this confusing modern world.

I get excited, too, when I see my first Yellow-billed Kite of the season because, for me, it always signals new beginnings…

Yellow-billed Kite.

When it comes to the seasons I prefer to take my cue from the Zulu. Unlike ours, their calendar begins in July which is usually when the bird returns from its annual migration.

One of their names for that month is uNhloyile which refers to this phenomenon. The other name is uNdewaloor “new grass moon” – indicating the appearance of green grass after the burning of the veld.

The Zulu months are dated from the appearance of the new moon. Consequently the months are 28-days long and there are 13 in the year. It makes perfect sense to me. I don’t know why we don’t adopt it.

Kusane is always at its best on the cusp of spring. Casting my eye around I can see the landscape changing before me. After the first light showers the grass miraculously starts to green up, the hillsides erupt in a mass of wild flowers.

Spring flowers at Kusane.

One of the first things I start looking for, on my early morning walks, are the widow birds. I want to see whether they have slipped in to their bright-coloured breeding finery. The frogs also strike up their summer chorus – some might call it a racket – with even the little Natal River Frog that has taken up residence in my fish-pond tuning in. The returning swallows begin building their nests.

A little green frog…

Often, in the morning, especially when it is misty, you can hear the trumpeting flight calls of the Crowned Cranes rising up from the patchwork of meadowland in the valley below, as well as the noisy calling of the Fish Eagle as they fly between dams.

Walking out at night under a sky brilliant with stars I like to stop to listen for the curiously bird-like whistle of our resident reedbuck male or the howling of the jackal. Later, I fall asleep to the sound of wind rustling the fir trees outside my bedroom window.

Another of my other great pleasures, at this time of the year, is watching the hordes of the Village (or Spotted-backed) Weavers, that have colonised our garden, going through their courtship rituals: each male desperately trying to convince the available females that the house he has built meets all their domestic requirements. If they fail to respond to his sales pitch, he is forced to rip the nest down and start all over again.

Village (or Spotted-back) Weaver

It seems a thankless task but they are not easily put off. I guess there is a lesson in there for us all…

Summer means storms. Living on top of a hill you really get to appreciate the unfolding drama. At times it gets curiously biblical as the sky blackens and curdles on the distant horizon and then great draughts of thunderous blue cloud come sweeping across the valley, bringing with it the rain.

An approaching thunderstorm, Karkloof.

These storms can create an amazing spectacle of light and noise. I often sit on my balcony and watch the whole drama unfold, the echoing roll of the thunder alternating with a rapid series of brilliant flashes that show up the whole landscape in rugged silhouette.

As the din grows louder and the weather became more threatening you begin to feel like you are watching the prelude to Armageddon. Even after it stops, the sky often stays leaden with wisps of mist chasing each other across the hills.

Sometimes these storms are followed by days of light drizzle with the whole valley lying draped in a blanket of stone grey mist.

Seasons of mist…

The onset of the rains turns the valley below me a lush emerald green. It is so green, you could think you were in somewhere like Ireland or Thomas Hardy country. Which is why I suspect God (or evolution. Take your pick) created Hadedahs – to remind you, very noisily, that you are living in Africa…

Autumn forecloses on the summer with the dark nights drawing in. The rains taper off.

At this time of the year, even in a bad season, the dominant colour is still green but already you can feel that change is in the air. The sky turns a pearly blue and there is the faintest breath of coolness, stirring across the pine trees and ruffling them. In places the veld begins to take on its winter ochre tones.

Each day I try to get up as near to sunrise as possible in order to verify the appositeness of the adjective ‘rosy-fingered’ dawn. Luxuriating in the sense of space and solitude, I have come to realise that Homer’s simple yet elegant description of this daily miracle has never been bettered.

‘Rosy-fingered’ dawn.

And then winter comes galloping down on us. The trees shed their leaves and on my morning walks I notice that there are suddenly far fewer birds around then there were just a few weeks earlier. There are still some swallows but the Yellowbilled Kites, Steppe Buzzards, White Storks, Amur Falcons, various warblers and other migrants have all gone and the hills no longer echo to the sound of the Red-chested (or “Piet-my-vrou”), Diederick and Black Cuckoos. The Bishop birds and Widow Birds turn back in to drab little brown things, indistinguishable from their surroundings.

If it wasn’t for the comforting call of the Cape Turtle Doves I would probably feel quite bereft

Before you know it, the first cold front has arrived, often bringing with it icy rain, plummeting temperatures and a cutting wind. Sometimes snow falls on the Berg. In really cold winters it can blanket the rest of the KwaZulu-Natal Midlands as well. The one year – unfortunately I wasn’t there to see it – it covered the Karkloof hills and valley.

Snow in the Valley. Picture courtesy of Karen MacGregor.

It is the wind that is worst, slicing through your trousers and making you grit your teeth. In the mornings there is frost in the valleys.

Frost in the valleys.

May, June and July also mark the beginning of the fire and fire-break burning season. It is the time of the year when the smoke from these fires thickens in to a sulphurous haze that dims the colours of the countryside.

Fire-break burning season.

Kusane is a perfect place to wait out winter. It is also the best time of the year for going on really long walks, to stretch legs and spirits grown stiff and feel the ineffable pure cold of winter strike my face as I sit down by the river and drink from my Thermos of hot steaming coffee.

Gradually, with winter running its course, the temperatures begin to rise again. It is time to get my binoculars out and start panning the skies for the returning Yellow-billed Kites….

Living up here, with the consolation of Nature, has given me a different perspective on things. I have become quite content with my own counsel and the more time passes, the less enamoured I am with the noisy, suffocating, outside world.

It is a simple but satisfying life and I want nothing here ever to change, not a leaf or a pebble. Except, of course, the seasons…

Ann’s Villa: A Journey Back in Time

Maybe it was in the name but somewhere around Kommadagga I started to get a little paranoid.

I had just turned off the N10, where it runs between Cradock and Port Elizabeth, and was bouncing along a dirt track when, ahead of me, a sudden scurry of wind lifted the dust from the surface, making a bank of pink fog. As I peered through the windscreen I was overcome by this strange notion that I had somehow transcended the highway hyper-reality of speeding taxis and long-haulage trucks and was now travelling down a ghost road, although, when I emerged from that cloud of swirling sand, the scenery appeared little changed from what had gone before -miles and miles of rough, ribbed, ungoverned country, tapering off towards infinity.

The road led on. I followed it. A white speck suddenly appeared on the horizon, got bigger and solidified through the heat shimmer.

Reaching an isolated crossroads I pulled over onto the side, although with the amount of traffic I had seen that didn’t seem strictly necessary, and consulted my map. I was right. The spectre I had been chasing was indeed my destination.

Enfolded in a shallow, winding valley, with a commanding view over the surrounding plains, Ann’s Villa lies on the Karoo side of the old Suurberg Pass. Built in 1864, it once served as a stopover point for ox-wagons full of romantics and day-dreamers heading upcountry, all hoping to strike it rich in the diamond fields of Kimberley.

The construction of the national highway some 20-odd kilometres to the north robbed Ann’s Villa of its reason for existence but it has somehow managed to survive its growing isolation and the march of time, preserved in its own little time capsule and not much changed from when it was originally built. As the crow flies it is not all that far from Port Elizabeth. And yet it feels remote.

Ann’s Villa, Suurberg.

As I crested the final rise I got my first proper view of it – a big, white-washed, double-storied Victorian house with a weather vane, upstairs balcony and a corrugated iron roof that glittered silver in the sunlight.

In its day it must have been one of the most proudly posh buildings in the area, attracting a polyglot crowd of farmers, hunters, adventurers and fortune seekers, all gathering to slake their thirst and exchange gossip. Even now one can still feel the pride of its owners in their creation.

The Shop and Post Office

Besides the inn itself there was a shop, post office, blacksmith, a barn that doubled as a dance hall and even a small school which has now been colonised by an army of dassies. There is also a little hilltop graveyard, fenced off with barbed wire whose individual graves lie untended.

As I carried my luggage up the front steps my arm brushed against the tangled bush in which, the Zimbabwean caretaker cheerfully informed me, the resident boomslang lived, but not to worry “he’s very friendly”. I decided not to put it to the test. Inside, the building had that unmistakeable, reassuring quality of an old, well-lived in home.

On the first floor landing there are a collection of black and white photos of the previous owners – the Websters, the Halls and the Shaws – which I stopped to peer at, hunting for clues in the shadows that would reveal what their lives must have been like. With their stiff body postures and pinned on smiles, it was hard to judge but one thing I knew for certain: it seemed like my kind of place – warm, tranquil and very laid-back.

Old photos – picture courtesy of Craig Scott.

The closet-sized rooms smell of dust and the lawns are covered in sheep droppings. Across the road, at the foot of the pass, there is a collection of old gum trees from which the doves call; beyond that lies wild county, mostly dry scrub-land and aloes, rutted and rocky. After the barbered green of the Natal Midlands the tumbled surge of rocks, sand and shale served as a somewhat peremptory reminder of just what an arid place so much of South Africa is.

During the Boer War, Ann’s Villa was transformed into a hospital for wounded British troops and was allegedly raided for food by a commando led by Jan Smuts himself. Later on it was advertised as a ‘health resort”, prompting one wit at the time to quip that you would need to be pretty healthy to survive its climate.

View over the Suurberg from the Old Pass.

The Pass that was its lifeblood is nowadays little used although it takes in some classic South African scenery. At the top of it, I stopped and gazed back down over the road I had just travelled. If the purpose of any journey is to keep progressing until you find somewhere worth getting to, I was where I was supposed to be.

POSTSCRIPT: My sister, Sally Scott, a well known Eastern Cape fabric and landscape artist, was so taken with Ann’s Villa that she decided to have her 60th birthday celebrations there. In keeping with the personality of the place we felt we should dress up in period costume. This was the result:

Dressed up in regulation “mufti”. Picture courtesy of Craig Scott.

Her son, Craig Scott, a professional photographer, also took this picture of the whole birthday group.

A very serious occasion. Picture courtesy of Craig Scott.

Sketching in Zimbabwe

Not long ago, in the course of clearing some of the excess junk out of my studio, I came across a box I haven’t looked inside for years. In it I found several old sketch books containing a series of drawings I made in Zimbabwe, when I went back up there to visit my family in 1998.

While I will leave it to others to decide on their artistic merit, what did strike me about the Karoi ones, in particular, is how they capture a time, place and way of life that has now all but vanished.

Sangalolo Farm, Karoi

Four of them were drawn on the spot, at my brother Peter Stidolph’s farm, Sangalolo, only a year or two before President Robert Mugabe launched his chaotic and often violent land grab which gutted the once thriving agricultural sector. Both of my brothers lost their farms even though they were legally acquired, on terms approved by the government, after independence

What adds to the poignancy of these sketches – for me anyway – is that Pete succumbed to a brain tumour just before he lost his farm. Growing up, in the then Rhodesia, I had always hero-worshipped him – strong, humourous, practical, caring, eminently sensible and a very good farmer to boot, he was a man you could always depend on or turn to in a crisis. There is another reason I am so admiring of him – it was he who introduced me to the wonderful world of birds.

His death affected me deeply. All these years later, I still can’t quite accept that he has gone.

Pete Stidolph, Mukwichi River, Karoi.

Both Sangalolo and my other brother Paul’s old farm, Grand Parade, which is also in the Karoi district, are places I have strong feelings for and have many happy memories of. After I left the country and settled in South Africa, they became, in a sense, places of comfort for me – somewhere I could escape to when I needed to regain my bearings or wanted to recoup. It was almost as if, by going back to them, I was looking for clues to my future.

Going back – Chimanimani Mountains

I feel the same about Bushmead, outside Masvingo, which is where my youngest sister, Nicky, and her husband, John Rosselli, built their dream house, overlooking Lake Mutirikwe (formerly Lake Kyle) before they, too, were forced to move to South Africa. Also, the Chimanimani Mountains ( where my ancestors, the Moodies, settled after trekking up from Bethlehem in South Africa) and Gona-re-Zhou in the South-East Lowveld – the subjects of my other drawings.

Like Nyangui, the Nyanga farm I grew up on, they are all places which helped shape who I am. They are a slice of my life.

Oddly enough, I have done very little outdoor sketching since my 1998 trip although living where I now do, at Kusane in the KwaZulu-Natal Midlands, I am beginning to think it is perhaps time I returned to the habit. Sifting through the same box of old junk, I also came across this quote which I had written down at the time because it seemed so pertinent and captured what I felt:

A sketch is generally more spirited than a picture. It is the artist’s work when he is full of inspiration and ardour, when reflection has toned down nothing: it is the artist’s soul expressing itself freely” Denis Diderot, 1765.

Hopefully, you will see something of this reflected in these sketches. If not, I certainly think it applies to the preparatory drawings I do for my cartoons (my “roughs”), many of which have been purloined by my nephew, Craig Scott, a professional photographer, for precisely this reason…


Book Review – Vietnam: An Epic Tragedy 1945-75

published by William Collins

Coming at the apex of the cold -war rivalry, the American withdrawal from Vietnam marked one of the more humiliating moments in its history. Believing that they could succeed where the French had so ignominiously failed in Indo-China, the country had put its immense might, power, prestige and reputation on the line and ended up being outsmarted and out-thought by a half-starved, rag-tag army of sandal-wearing peasants.

Acute analysis and fair-mindedness inform veteran war correspondent Max Hasting’s exhaustive study of the origins and course of the conflict. Drawing imaginatively on many personal testimonies and eye witness accounts from both sides, Vietnam: An Epic Tragedy provides a powerful panorama of a war that went horribly wrong.

Ignorance is a running theme in the book. It is extraordinary that America, with its vast resources, miscalculated so badly and often had little idea what was happening in the Far East. Decisions were made based on confused thinking and a misunderstanding of how Vietnamese society worked.

From the outset the communists in the North appeared better motivated and more skilled. Their Chinese and Russian backers also remained prudently in the background so it did not appear they were the aggressors or the ones calling the shots – as the Americans were doing in the south.

Indeed, as Hastings shows, successive American administrations ignored any claim by the people who inhabited the battlefield to a voice in determining their own fate. Instead they chose to concentrate on their own strategic interests – in this case countering the spread of communism.

Having committed themselves to the cause, the Americans found themselves mired down in a protracted war from which there appeared to be no escape – their commanders’ initial confident predictions of an early victory gradually replaced by a growing realisation that they could never win.

Hastings meticulously charts the failure of successive presidential peace initiatives. He also shows how, as the war dragged on, the morale and commitment of the US forces serving in Vietnam began to flag. Drug abuse, racial strife and a decline of discipline became rife. The growing anti-war movement back home further added to the pressure being piled on the American administration.

In the end, the inevitable happened and the Americans were forced to pull out, abandoning their former allies to communist retribution. The final irony, as Hastings notes, is that having lost the war militarily the United States has since seen its economic and cultural influence reverse this outcome as Vietnam increasingly moves away from the more repressive aspects of communist rule….

Mapungubwe: Where History meets Nature

History and nature come together and harmonise in Mapungubwe. A land of fierce but tantalising beauty, situated on our northern border, it now lies near empty although this was not always so. It was here, during the tenth and twelfth centuries, that an important, early Southern African kingdom came in to being as a major centre of power and then, for reasons which are still not absolutely clear, collapsed.

The main Mapungubwe settlement was built around the base of a steep-sided sandstone hill that arises abruptly from the valley floor. At its summit, various burial mounds and the remnants of old houses have been found. It was here that the nobility lived and it was here, too, where South Africa’s most famous archaeological artefact – a gold-plated rhino – was found.

The modern park, in which it lies, was inscribed as a UNESCO World Heritage Site on the 5th July, 2003. The National Park bearing its name was officially opened, amidst much fanfare, in September, 2004.

The Park is divided in to a Western and Eastern section which are separated by the Den Staat farm.

The Western section is mostly flat and forms part of the Limpopo flood plain. Along the river is a thin, deep green, jumble of riparian forest, which gradually thins out as it gives way to thornveld and then miles upon miles of mopane scrub that somehow manages to survive despite the complete absence of anything resembling real top soil.

The Eastern section is more broken country. Here nature has created its own unique architecture, one that is dominated largely by rock.

Rock, red earth and river – Eastern section Mapungubwe.

The Mazhou camping-site, which is one of my favourites in South Africa, is situated in the Western section. Positioned close to the Limpopo, it is well thicketed with enormous Nyala Berry and Apple Leaf Trees which interlock overhead to provide some relief from the worst of the sun.

It was here I found myself sitting, sipping wine, one glorious, crystalline, summer’s night. Somewhere out there, beyond the horizon, was a half-remembered world of big cities and busy highways but I found it very difficult to bring it back in to focus.

The sky was heavy with stars. Amongst them was one which caught our eye because it was much bigger and brighter than the rest and was moving slowly across the heavens. We decided this must be the International Space Station.

For a few paranoid moments I wondered if it had had been sent to spy on us and tried to recall if I had done anything to warrant such scrutiny (although, given his reputation, it was much more likely it was keeping its beady eye firmly fixed on my birding partner, Ken).

Natal Spurfowl, Mazhou camping site

The next morning I crawled out my sleeping bag to find a family of Natal Spurfowl pecking in the dirt outside my tent. They were joined, a little later by some noisy blue-black Meves’s Starlings and a curious Crested Barbet. In the branches above us a pair of striking blue Woodland Kingfishers stirred.

Woodland Kingfisher

Because it was such a glorious day, we decided to head in to the more heavily forested Western section first. We had barely got on to the stretch of road that runs along the Limpopo when a whole convoy of 4 X 4s came roaring up our rear. Their vehicles were fitted with metal spades and spare jerrycans of petrol, spotlights and winches. Driving the front one was a barrel-chested guy in a camouflage T-Shirt with sunglasses and a baseball cap pulled low over his eyes. The other men all sported similar going-on-safari mufti, while the women folk looked like they were headed off to audition for bit parts in the next Tarzan remake.

These were Very Serious Explorers.

In less trying circumstances – like when we were not attempting to birdwatch – I would have found them fascinating. Now they were just plain annoying because we had to pull over and let them pass and then watch them go clattering down the track, with their TVs, micro-waves, ice-dispensers, up-to-the-minute navigational aids and all the other modern conveniences and gizmos that seem to be required these days before you can go Roughing it in the Bush – scaring away all the rare birds we had been hoping to see.

Such distractions aside, this is usually a good place to get up close and personal with White-backed Vultures who, unlike their cliff-dwelling Cape relatives, like to nest in the tall trees that grow along the river. Through gaps in the canopy we kept getting glimpses of these magnificent birds, circling overhead. When the sun caught them their back feathers flashed a brilliant white.

Lala Palms, Western section of Mapungubwe

We continued driving through this rich mantle of trees before emerging in to a clearish, flat stretch, on the one side of which ran a line of tall Lala Palms. It was here, under a clump of thorn, I had got a lifer on my last trip – a Three-banded Courser, an uncommon, largely nocturnal bird, very much confined to the Northern parts of South Africa.

A bit further down this road is the Maroutswa Pan which is usually an excellent birding spot, especially for water birds (on our last trip we saw a Honey Buzzard here as well). Despite all the evidence of recent good rain there was very little water in the pan itself.

Common Sandpiper, Maroutswa Pan.

We, nevertheless, lucked out and got another rarity – a Green Sandpiper – or at least Ken, who has seen one before, was convinced that was what it was. I, as usual, was confused. The bird looked like a cross between a Wood and Common Sandpiper. I was still mulling over the true identity of this mystery bird when a real Wood Sandpiper turned up and helped solve the puzzle.

Wood Sandpiper, Maroutswa Pan.

My elation at being able to add another lifer to my list turned to anger when we got back to camp, later that afternoon, and I found the resident monkey gang – hardened criminals every one – had, for good measure, punched a few more holes in to my tent. What added to my irritation was that once again I had no food inside and I had used up all Ken’s duct tape patching up the holes the baboons had ripped in it in Kruger a few days before!

That night, curled up in my sleeping bag, I heard lion. They sounded like they were only a kilometre or so downstream, although Ken was convinced they were across the river, deep inside Botswana.

Another scorcher was forecast when we set off to explore the Eastern section the next day. Passing through the main gate, the road curved left towards the edge of the park and then dropped down through a rocky bluff. All around was evidence of nature’s erosive powers at work: cliffs undercut, niches hollowed out, old river courses altered. In places the rock was fissured and rotten, large chunks of it sliced away like a cake, revealing the layers buried underneath.

Elephant crossing, Limpopo

At the point where the road swings right along the Limpopo they have constructed a raised wooden walkway which takes you, at bird’s eye level, through the leafy tree tops and provides excellent views. The river at this point is fat, sluggish and wide but as this was the dry season, it was not quite so wide or deep as it is during the rains.

Elephant, Limpopo

Along the foreshore ambled a family of elephant. Perhaps because there are no immigration formalities required, they like to use this spot to ford the river between South Africa and Botswana. Later we were to see some Zimbabwe fishermen doing the same thing further down the river.

We stopped for brunch at the view point on top of a hill which once served as an SANDF army base and observation point. It is here, at the confluence of the Shashe and Limpopo that the three countries that have played such a pivotal role in my life – South Africa, Zimbabwe and Botswana – meet.

Confluence of Limpopo and Shashe

It was almost like a homecoming to be standing on top of that promontory looking over that vast, shimmering, seemingly uninhabited, landscape. I felt almost totally isolated from the outside world.

The whole place gave off an aura of romance. I felt like I had been magicked back in time. This was the ancient Africa of myth, which the old cartographers had heard about but weren’t too sure how to depict in their books or their maps.

For all its harsh beauty and important cultural links with the past, Mapungubwe is, however, a park with problems. That this is so became apparent when we set off down the road that leads from the viewpoint to Poachers’ Corner.

As we rounded the bend that takes you in to this wonderfully scenic part of the river, we found ourselves encircled by a vast herd of cattle. They had obviously crossed over the Limpopo from Zimbabwe. There must have been several hundred of them, their bells tinkling merrily as they wandered around munching the grass or masticating nonchalantly like they had every right in the world to be here, in what is supposed to be South Africa’s showcase park.

As an undoubted consequence of this we did not see a single wild animal in this section other than a few bored-looking baboon chewing on some roots they had just dug up. All the kudu and nyala and other game that had been here on our previous visits had, presumably, been forced to move up in to the more arid parts of the park.

If the monkeys were not bothersome enough this only added to my annoyance. Having travelled a considerable distance, at big expense (to say nothing of close shaves with elephants and being forced to listen to Emily, Ken’s Satnav – a merciless pedant if ever there was one – continuously telling us we were on the wrong road) to get here, both Ken and I felt we were entitled to demand a refund because we reckoned we hadn’t gone to all this trouble just to finish up looking at a bunch of cows.

I can do that from my bedroom window at home.

In the end, we thought better of it and just reported our concerns to the camp manager. He admitted it was an ongoing problem but said the matter was politically sensitive since it involved citizens from another country and had to be handled diplomatically. To me it sounded like the sort of soft-soap, fudging-of-the-issue, claptrap PR people use to calm down folk, like us, who had got worked up in to a state. I can’t say I drove out of the park gate feeling more sanguine about the matter or thinking they had a clear-cut plan in place to deal with the problem.

You never know though. I was wrong about the Green Sandpiper so maybe I have allowed myself to over-think this too…

And I still love Mapungubwe – although I am not sure these feelings extend to those primates who keep trashing my tents…