Escape to the High Country: Travels in the Karoo

Two High Plains Drifters: the author and Prof Goonie Marsh. Pic courtesy of Sally Scott.

There is no risk of overstating it: 2020 was a horrible year. With levels of worry, anxiety and depression reaching a new high level mark, I finally realised emergency solutions were called for. After puzzling it over, I decided the best thing to do would be to try and end the year on a high note by escaping – if only briefly – from all the mania and talk surrounding Covid-19.

And so we took to the hills, heading up into one of the more remote and isolated areas of the country – the Great Karoo, which forms part of South Africa’s vast, high-lyng central plateau. Here, I hoped, I would be able to rid my mind of the ever-looming spectre of the pandemic and reboot my soul.

Officially, there were three of us on the expedition – myself, my artist sister, Sally Scott, and Professor Goonie Marsh, the former-head of the Department of Geology Department at Rhodes University and a very useful man to have around because of his extensive knowledge of all things Karoo. Also, he is very good company.

The route Goonie had plotted for us, took us through the tiny hamlet of Riebeek East where the famous Voortrekker leader Piet Retief once owned the farm, Mooimeisefontein. Retief would later go on to negotiate land deals for his people in what is now my home turf, KwaZulu Natal, before his unexpected assassination at the hands of King Dingaan of the Zulu.

There was another reason I wanted to check out Riebeek-East. An ancestor of mine, on my father’s mother’s side, Lt Colonel Richard Athol Nesbitt, had served here as a sub-inspector with the Frontier Armed and Mounted Police (FAMP) back in 1866. Besides a few drowsing cows lying on the side of the road, there was not much sign of life. Cruising down the town’s empty streets, I tried to visualise what it must have been like when the sub-inspector came riding into town, correct and erect in his policeman uniform, on top of his handsome horse. It must, I concluded, have felt like some sort of banishment because, even today, Riebeek-East feels cut off from the outside world.

This point notwithstanding, I found I was developing a bit of a kinship with Richard Athol. It was almost like he was along with us for the ride. On my way down to Grahamstown, where Sally lives, I had stopped for a breather at Fort Brown, on the Great Fish River, another nondescript outpost of Empire where he had served. This was not the only place where we were to dog each others shadows. In 1872 Nesbitt was promoted to Acting Inspector and despatched to the next town on our journey, the more substantial Somerset East, nestling under the massive bulwark of the Bosberg.

In 1878 the FAMP were militarised, as a unit of the Colonial Forces, and renamed Cape Mounted Riflemen (CMR). The unit would go on to play a prominent role in the numerous conflicts that broke out within the Cape Colony and around its borders, as a result of the Cape government’s expansionist policies. Later, Richard Athol would come out of retirement and – at the request of the Colonial Government – raise and command Nesbitt’s Horse which, in his own clipped words, “served in most of the principal events of the [Anglo-Boer) war, with Lord Robert’s march – Paardeburg, capture of Bloemfontein, Johannesburg, Pretoria and in clearing the colony of rebels.”

The Lt Col was obviously not one for uneccessary sentiment or wasting words…

1902 found him resident in Grahamstown. His military exploits are commemorated in the impressive monument which stands in front of the town’s old Methodist Church. An entire side-panel is devoted to those members of his unit who lost their lives in this bitter conflict.

We finally parted company with our ghost passenger somewhere up on the Bruintjeshooghte, just south of Somerset East. We were now travelling in less familiar territory. Ahead lay the vast Plains of Cambdeboo, immortalised by the author Eve Palmer in her classic book of the same name. You actually pass by the farm – Cranemere – where she grew up and lived and you can still see the same dam that provided them with their lifeblood – water.

The small town of Pearston, where the great palaeontologist Dr Robert Broom once lived, is also on the road although, like many of these Karoo dorps, it now looks a little fly blown and past its best. Of Broom himself, more later.

Beyond that the world lay wide and empty around us until we finally got to Graaff Reinet – or the “gem of the Karoo” as it is sometimes called because of its neat, shaded streets and beautiful period houses – set in a mass of wild-looking hills with the Valley of Desolation to the west and, overlooking the town, the prominent landmark of Spandau Kop. Established in 1786, it is South Africa’s fourth oldest town and has its origins as a far flung frontier settlement on the very edges of the old Cape Colony.

Street scene, Graaff Reinet.

Just outside of town, on the road to Murraysburg, there is a stark, simple monument to Gideon Scheepers, the Boer military leader who was court-martial-led and shot here on the 18th June 1902, by the British authorities. It was – according to Goonie (who also has a solid grasp of the region’s history) – a severe punishment which turned him into an instant martyr for the Afrikaner cause. As opponents in the Anglo-Boer War, I wondered if Gideon and Richard Athol had ever crossed paths?

Beyond that, the road climbed steeply up the Oudeberg Pass. Before I knew it the Plains of Camdeboo were below us, then out of sight. At the turn-off, to Nieu-Bethesda we stopped for lunch on the side of the road, under one of those abrupt, flat-topped, mountains that rise out of the plains, like talismanic guardians, throughout the Karoo…

Lunchbreak in the Karoo.

The Karoo is a land of sun, heat, and stillness although, as if to defy my expectations, a light drizzle began to fall as we unpacked our picnic basket on the tail-gate of the bakkie. The summers can be scorchingly hot, in winter the night temperatures regularly drop well below freezing point. Rainfall is erratic, drought common.

It was not always so. There was a time when ceaseless rains poured down upon this ancient land, leaving it covered with inland seas, lakes, and swamps. Millions of strange-looking reptiles and amphibians roamed around and then died here; in our era, their fossilised remains have made the Karoo world-famous for palaeontologists. This brings us back to that pioneer of the profession, Dr Robert Broom, who did so much to uncover their secrets.

As we drove deeper into the interior the hills became barer, even more silent. There was little sign of habitation although, every now and again there was the occasional windmill or wind pomp just to remind you that people lived here. The road wound on and on, empty and devoid of traffic, so much so that driving along it eventually became like a form of meditation.

Originally this vast area was occupied by the San, aboriginal hunters, small in size and few in number, who drifted with the seasons and the herds of game. Of these animals the springbok is, undoubtedly, the most emblematic of the Karoo, their bodies evolving, over time, to deal with the hardships of life in this arid country. Despite the devastation wreaked by the early white hunters, which saw this beautiful animal being exterminated over much of its range, the springbok population has begun to rise again, now that their commercial value has become appreciated.

Later, the San themselves were hunted down or driven into the swamps and deserts. In their place came trekkers, traders, missionaries, and explorers, who braved the fierce heat, moving with their wagons and animals into the harsh dry interior. With them, they bought their religion. Nearby Murraysburg, named to honour the Reverend Andrew Murray, was originally a church town resorting under the full control of the Dutch Reformed Church up until June 1949 when it was placed under the control of the local municipality.

Just beyond the spot where a large sign announced that we were leaving the East and entering the West Cape, we came to an imposing white-pillared gate with a sign “Oudeland” next to it. Here we swung right, driving down a dirt road dotted with caramel-brown rain puddles. In every distance, the plain was sparse and bare although we did pass the crumbling ruins of an old barn and kraal with the inevitable wind pomp standing like a sentinel behind it. Moving fast, the clouds cast a storm light across the buildings. I wanted to look for the species of lark that had these scrub-strewn grasslands all to themselves but with more rain threatening now wasn’t the time for it so we plugged on.

Old barn and windmill. Pic taken after storm clouds had blown away.

Cresting a rise, the farmhouse and outbuildings came in to view in a valley below where – Goonie explained – a sill of hard, erosion-resistant, dolerite had cut through the softer sedimentary rocks. A small, seasonal, stream ran through the middle of it. The main farm complex was situated on the one side amongst a mass of poplar, gum, and willow trees and fields of grazing merino sheep; the lush green colour of the lucerne pastures, in which they were feeding, contrasting sharply with the stark, elemental beauty of the semi-desert that surrounded them.

Our house lay on the opposite bank, just above a belt of prickly pears. As we drove into the fenced yard we were greeted by a brown horse and a small herd of multi-coloured springbok. Such colour morphs are extremely rare in the wild (in fact, they are so unusual they were venerated by the San) but these white, or leucistic, forms are mostly the result of selective breeding to meet the needs of hunters seeking exotic trophies. It is a practice that has caused some controversy because the genes which cause these colour variants are actually recessive and so could weaken the species.

I am not a hunter and I get no joy in taking life, so I was delighted to share the animals’ company just for its own sake, especially when – every now and again and for seemingly no particular reason – its various members started leaping in stiff-legged bounces known as “pronking”, in which all four hooves hit the ground at the same time. The small herd was, the owner’s wife explained, all orphans who had been hand-reared and loved to the point where they had become family pets. Each one had its own name. I was especially taken with the one very friendly individual who had one blue eye and one green.

The house itself was built in the usual airy Karoo style with white-washed walls and a wide verandah on which you could sit and gaze out over the distant lonely blue mountains. Inside the appliances were all modern although the stuffed head of a large buffalo bull, as well as that of a puzzled-looking Zebra, added a slightly incongruous touch.

I was up at daybreak. We were lucky that morning. Overnight, the rain clouds had all blown away. The sky above us was a strange intense blue, wind-cleaned, limitless, and crisscrossed with lazy scrawls of thin cloud. There was a lovely lyrical quality to the landscape, to my eyes, it all seemed intoxicatingly clean and remote. Although I am not from these parts, I felt totally at home in this indivisible, self-contained world.

In this sort of country, there is almost no shade or protection from the elements although our morning walk did take us up to a stony ridge in which there was an overhang with bushes growing at its mouth. On its walls, we were excited to discover several faded examples of San rock art. I had no way of knowing how old they were – possibly thousands of years?

From the cave entrance we looked down over a large dam which reflected the changing weather in the sky above. Water lines of geese and duck and dabchick cracked its surface. Such open stretches of water always come as a surprise in this thirst-land. For the birds it must indeed seem like manna from heaven..

Back on the path, Goonie came to an abrupt stop, pointed his walking stick in the direction of an exposed sheet of unsuspecting, layered, grey rock and declared: “That looks like just the spot for a fossil!”. Sure enough, when we went down to investigate, we found several tiny fragments of fractured fossilised bone. With my untrained eye I would never have suspected they were there and would have passed the site by without a sideways glance.

Leaving them undisturbed we continued down to the dam wall. From its top we stood, awed by the view, as the escarpment retreated away; each ridge exposing new gullies and rough broken ground and more valleys until finally reaching the horizon, where the pale ramparts of the distant range of mountains raised themselves. Then we walked on, feeling buoyant and light and energised. Sally, with her artists eye (as opposed to Goonie’s more scientific one) was struck by all the strange patterns and details in the landscape and regularly stopped to record them.

Later, when it got too hot for walking, Goonie and I climbed in to the circular reservoir around the back of the house and had a swim. It felt good, splashing around like I was a young boy again…

A refreshing dip

That evening we sat with our drinks out on the verandah. The earth was still in twilight shadow. In the distance massed, bulging, cumulonimbus clouds gathered above the mountain tops. As the sun sank so they changed shape, form and colour.

All felt well with the world. Far from the madding crowds, I finally began to get some sort of harmony between body and mind. Looking back over the journey, I also felt I had established another link with my past, learnt a little bit more about how I got to be who and where I am…

Harmony in nature...

My sense of contentment did not last. Back in Grahamstown all the talk still centred on the pandemic and the overcrowded hospitals and the beach and liquor ban. I couldn’t help but feel a little deflated. The happy little bubble I had created for myself in the wilds of the Karoo suddenly seemed far away. That is the problem with fantasies – sooner or later they get punctured and you are back with harsh reality.

GALLERY:

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Aloes in Albany, Coffee in Kommadagga: an East Cape Odyssey.

I sometimes think that when I travel what I am really looking for is proof that the world is at varied as I want it to be. That is certainly the case when I drive between my home in Kwa Zulu-Natal and Grahamstown, in the East Cape, where my sister, Sally, lives. It is a journey I have made many times and on each occasion I am struck by just how different the two provinces are even though they border on to one another.

Once you get past Queenstown and descend the Nico Malan Pass, near Seymour, an entirely new geography asserts itself.

You are now on the fringes of the Karoo, that immense, dry, sun-scorched, almost mythical, landscape that was once part of a vast, shallow lake. In ancient times all sorts of strange reptilian creatures and other odd-looking beasts roamed this area, thoughtfully leaving their bones behind, embedded in the rocks, for the scientists to study.

The air here is drier, the distances much clearer; the more you travel in to it, the more the sky asserts itself. I can think of nowhere else where it seems so big and blue and empty.

The weather can be extreme, the summers blazing hot, the winters freezing cold. The rainfall is patchy and unreliable and the vegetation has adapted to meet its capriciousness. There are lots of succulents and aloes and squat, low bushes with tiny, tough leaves. Here, almost no tree grows higher than a man’s head except in the mountain valleys and along the river lines.

Typical Karoo Country.

There is a spirit too, a presence, an unseen power that is very old and has little to do with man. After a while the sheer breadth and weight of the land gets to you. You begin to forget the world you have just come from existed, you can’t help thinking that the whole country looks like this.

The Karoo has the capacity to inspire wonder in all who behold it.

Perhaps not surprisingly, many famous South African writers and artists haled from here. Olive Schreiner, author of the early South African classic, Story of an African Farm, grew up in Cradock. So, too, did the poet and writer Guy Butler.

Schreiner House, Cradock.

Thomas Pringle, who came to the Cape as leader of the Scottish party of British settlers of 1820, was allocated land in the valley of the Baviaans River near present-day Bedford. It is still known locally as “Pringle Country”. Eve Palmer who wrote that other classic book about the Karoo, The Plains of Camdeboo, grew up on the farm, Cranemere, down the road from the Bruintjeshoogte and between the towns of Somerset East and Graaf-Reinet. The artist, Walter Battiss, also spent his childhood years in Somerset East (you can see his work in the local gallery dedicated to him).

Even members of my own family have found themselves succumbing to the insistent blue skies and lyrical qualities of the Karoo. Sally, an art teacher, has built up a big following with her East Cape landscapes which often have, as their focal point, the aloes which are such a feature of this region. My other, Nicky, also an art teacher, who lived in Somerset East for a while, also felt the urge to record the unchanging strength of the countryside.

How strong this influence has proved can be seen in the examples of their work I have included in the gallery below.

The area around Grahamstown, to which I recently returned, used to be known as the Zuurveld, and later as the Albany district. It is also known as “Settler Country” for it was to this part of the Cape Colony that the early 1820 British settler party came.

To these early settlers this harsh, dry country also marked the beginning of the hinterland, that half-known, half-feared region that stretched endlessly onwards. The further west you travel the wider and emptier it seemed to get. In the far distance stretched ranges of mountains. What lay beyond them was just a rumour, a region of fancy and conjecture.

Karoo Mountains beyond Plains of Camdeboo.

Even today the land still feels like frontier country, wild and sparsely populated. Far more than in Kwa-Zulu-Natal, where, I come from, you get a real feel of what it must have been like for those early settlers, struggling to eke out a living in these remote and isolated outposts.

In KZN development after development has blighted the province: holiday homes, retirement homes, bungalows, duplexes, massive walled complexes that stretch for miles. Factories belch out smoke, power lines criss-cross the countryside, an endless stream of traffic pours down its main arteries, the urban sprawl and shack-towns seems to grow bigger by the day.

Aside from its coastal areas, you don’t get that feel at all in the East Cape. You can travel for miles through the Karoo without seeing another vehicle. It is like you have the universe all to yourself.

Every time I pass through it, I find myself trying to imagine the feelings of those early arrivals. How alien the harsh landscape must have seemed after the soft green of England.

Many of them must have felt they had been hoodwinked. The pamphlets that had been dangled in front of their faces, back home, promised the prospect of great self-improvement, a land of milk and honey, an amazing opportunity. The reality was completely different with many of them finding themselves stuck in the middle of the no-man’s-land between the white settlers moving north from the Cape and black settlers moving southwards. The Fish River which winds its way through this area was often seen as the dividing line with the British authorities building a line of defensive forts along its banks. In places you can still see the remains of these.

Old British fort, Fish River.

Some settlers stayed on on these outlying farms, braving the dangers and determined to make a go of it; others found the country uninhabitable, packed up their belongings and headed off, blazing a trail of retreat that others would follow.

Every so often you come upon a solitary farmhouse, each one part of a narrow stream of civilization that wound itself through the wilderness. Sometimes there will be a steel wind pump and a circular water tank around which some cattle have listlessly gathered. Mostly, though, this is sheep country.

And goat country. There are lots of goats in the Karoo.

We did a day trip out of Grahamstown, taking the road, which leads past Table Farm with its wonderful old, double-story settler house and small stone church, and ends up in Riebeek East. Situated in some hilly country, the town – if such it can be called – was founded in 1842 and initially named Riebeek after Jan van Riebeek, one year after the local church was built. It was erected on part of the farm Mooimeisjesfontein that was subdivided and sold by the subsequent Voortrekker leader, Piet Retief. His old home is situated just east of the town and has been declared a national heritage site.

As in most small South African dorps, the church dominates the town. When we stopped outside it the only sign of a congregation was a herd of cattle grazing in its grounds. It was a very impressive structure, nevertheless, which seemed far too large and grand for such a sleepy little hamlet.

Maybe it had once been different around here. Indeed, visiting many of these old Karoo towns, one gets the feeling that at one time they supported much larger populations, especially when the wool industry was in its heyday. With the boom years gone most of the young folk trekked off to the cities and towns.

From Riebeek East we followed the dirt road that eventually leads to the main Port Elizabeth highway although we planned to turn off before that.

To our left, ran a long, low range of hills where you could see how the exposed rock had been buckled and folded, like a carpet you have just shoved with your foot. In front of us the road rose in to crests and sank in to hollows.

Eventually we came to a junction where we branched off down another dirt road leading to the curiously named, Kommadagga. It was a place I was keen to see.

Kommadagga (the name is believed to be Khoekoen meaning “ox land” or “ox hill”) was a small, purpose-built, settlement constructed by the South African Railways, in the early 1950s, to house the workers involved in the construction of the nearby railway line. At the time it had over 1 000 residents, with an elementary school and a recreation hall. Once their work was finished, its population was uprooted and moved further north to the next section of the new railway line.

Now it is a ghost town, its reason for existence long since vanished. The houses are just shells. You can see right through them, the sunlit, empty rooms with their peeling walls; windowless, door-less, their roofs caved in. In places they had broke clean in half, the bricks scattered over the veld.

Across the road, a couple of hundred yards away, crowning a low hill is an old water tower and to the side of that some concrete pillars whose former purpose I could not fathom although I imagined it had something to do with the railway line..

We pulled up beside one of the wrecked houses and while Professor Goonie Marsh, our amiable driver, long-time Grateful Dead fan and expert on matters local, fired up his volcano for coffee on the side of the road, I set off to explore. I made my way through the remains of gardens, past rusting fences, auto parts, old cement water storage tanks and all the other scattered detritus that suggested a civilisation of sorts.

Goonie fires up his Volcano. Sally plays Lady of the Manor.

There was one house which was in better shape than the rest, an empty wine glass on the verandah wall suggesting it might still be occupied but by whom I had no idea. Near another house there was an outbuilding full of old shoes, in another a collection of goat skulls which got me wondering just how they had passed their time around here.

In such a place, one can imagine there was not much to do. They probably smoked, played cards, drank too much. On Sundays, the more God-fearing among them most likely trekked off to that fine-looking church in nearby Riebeek East.

From Kommadagga, we followed the old rail bed until we reached the Kommadagga Station, some distance away, where the railway line and the road diverged. Cresting a rise we found ourselves looking over a vast basin through which the Fish River flowed, its presence marked by a line of trees.

Along its edge a large expanse of land had been cleared and bought under irrigation, the verdant green contrasting sharply with the surrounding dry bush. To the south and the west, glowing in the morning light, the thin, distant, blue outline of the Bosberg rose through the haze.

View towards Bosberg.

We drove on, stopping every now and again to take photos of the aloes which grow is such profusion around here. Their candelabra of flowers were aflutter with sunbirds (mostly Malachite and Greater Double-collared with a few Amethyst) – such a bright, fragile, flowering of plants and birds in this hot, dry, khaki and grey landscape.

Out here, one gets the feeling no one seems to be in a hurry. Flocks of lazing sheep gaze at you from underneath the shrubbery. Small groups of cattle pose amongst the aloes, nonchalantly chewing the cud. They give the feel of being completely cut off from the world and not minding a bit.

This, we discovered, was not altogether true. Crime – the curse of modern South Africa – has spread its tentacles even to out here in the boon-docks. When we stopped to take pictures of some sheep, grazing in a field, the local farmer came hurtling up in a cloud of dust with a bakkie full of security guards. He was worried we were rustlers!

Having convinced the farmer we had no ill-intentions, we continued on our way. As we drove the views changed but not suddenly or sharply. Nearing the main Grahamstown to Bedford road more mountains hove in to view – the Winterberg, the Katberg, the Hogsback. Between them and us there was yet another huge, aloe-dotted, plain.

Despite its timeless feel, some things are changing. In this harsh environment, many farmers have discovered that tourists pay better than sheep, cattle and crops. As a result they have started restocking their properties with many of the same game species their ancestors so casually shot out.

Back on the tar I continued to study the ground topology. To me it looked like the worst soil imaginable but the termites obviously liked it because the veld was littered with their pinkish-yellow, nipple-shaped mounds. In between their habitations were yet more flowering aloes full of twittering sunbirds.

Then we were driving back through the outskirts of Grahamstown, past the municipal dump out of which much of the rubbish had been blown and now lay piled up along the side of the road. Or had been left hanging on the fences like some sort of weird, welcome-to-town, decoration.

There had obviously been a big fire in the dump recently, too judging, by its burnt colouring and the pungent smell in the air.

At this point, I found myself wishing we could turn around and head back the way we had just come. Then I remembered I had an appointment at the local craft beer brewery, in the hills outside town, and changed my mind again…

GALLERY:

My two talented artist sisters, Sally Scott (on left) and Nicky Rosselli.

Here are some examples of Sally’s artwork:

And here are some examples of Nicky’s work:

To see more examples of Sally’s work visit:

Website: www.sallyscott.co.za

Blog: http://sallyscottsart.wordpress.com/

To see more examples of Nicky’s work visit her website: http://www.rosselli.co.za