Book Reviews

published by Pan MacMillan.

Another week, another book about the chaotic, cataclysmic Donald Trump presidency and the tumultuous fallout from it. The author of this one has probably jumped the gun in rushing to print, since his analysis focuses on the investigation into January 6th investigation whose findings have yet to be published, but it obviously felt it was important to get in early with his take on the proceedings.

As is now common knowledge, the 2020 United States presidential election held on November 3rd, saw the former Democratic vice-president Joe Biden defeat the incumbent president Donald Trump with Biden receiving more than 81 million votes, the most votes ever cast in a US presidential election. Unable to accept the reality of his defeat the soon-to-be ex-president would go on to insist the election results had been rigged although he had next to no proof to back his claims up. It didn’t matter. The doubts he cultivated ultimately led to a rampage inside the US Capitol by an angry mob of pro-Trump supporters, as well as giving birth to the Stop the Steal movement.

Undoubtedly, one of the low-water marks in recent American history, the attempted coup rocked the very foundations on which American democracy was built. It also led to a great deal of soul-searching and heated debate. As a former Republican congressman, as well as the senior technical advisor to the House select committee tasked with investigating the attack, Denver Riggelman, has some claim to know of what he speaks when it comes to the subject. He had access to much of the correspondence and documentation which passed between the various parties and was privy to a lot of privileged information. As such, his book is full of revealing insights and sheds a great deal of light on precisely what happened during those fateful few days. What becomes plain from reading it is that the insurrection was not a spontaneous act nor an isolated one but was part of a deliberate campaign aimed at keeping Trump in office. It is also hard to ignore that much of the culpability lies with Trump himself.

Equally disturbing is the fact that the effort to overturn the result of the election involved officials from all levels of government (including the military – Riggelman claims that at least one hundred of the rioters who stormed into the building that day had military experience), as well as many members of the Republican Party.

In addition to showing how Trump deluded the American people, and probably himself, Riggelman’s book is also a part memoir. By his admission, he grew up in the conservative edge of the Bible Belt “among the true believers” and it took many years to shake off the yoke religion had placed on his worldview. This gives him an insider’s take on how the far right and extremist groups like QAnon operate. Fed a combustible brew of fire and brimstone Biblical tub-thumping, biased TV and, more recently, the sort of delusional mob group-think that characterises the darker recesses of the internet it has led to a conspiratorial mindset which has, in turn, now seeped into the mainstream.

Frighteningly, there is every likelihood that in the future the system could produce more tenants in the White House just like Trump: shallow, dishonest, opportunistic, vicious and at times almost comically incompetent.

There are lessons to be learnt from all of this…

published by Bantam

There is something enjoyably familiar about sitting down with another book featuring Lee Child’s iconic hero, Jack Reacher. It is like being reacquainted with an old friend after a gap in time. One of crime fiction’s more engaging creations, the latest book featuring the laconic drifter differs from all the previous ones in that it has been co-written with his younger brother Andrew Child to whom Lee intends to hand over the reins of the franchise.

Not that any difference in style is immediately apparent. No Plan B begins in a predictable fashion with Reacher turning up in yet another remote, dusty, fly-blown mid-American town only to find himself once more at the centre of all the action. In this case, a young woman appears to throw herself under an approaching us. Naturally, all is not as it seems with the sharp-eyed Reacher, alone among the various on-lookers, noticing what everybody else has failed to see – the woman was deliberately pushed by a man in a hood. The police don’t buy his version of events, the death is ruled a suicide and the case is closed. For an avenging angel like Reacher, who sees it as his mission to battle injustice, this obviously goes against the grain and immediately decides to carry out his own investigation. The deeper he digs, the more he realises this wasn’t just a random act of violence but is part of a much larger and more sinister conspiracy that has its centre in a supposedly model prison in a small Mississippi town. Once they get wind of the fact Reacher is hot on their trail, the conspirators do their best to stop him from reaching his destination but they fail to factor in his unique talents or his relentless determination.

In many ways, No Plan B is vintage Lee Child. The theme is tackled cleverly with well-concealed sub-plots and several strong set-piece action sequences. If there is a slight difference in the form it lies in the dialogue. When it comes to cynical, snappy one-liners and put-downs – usually delivered as – Reacher despatches, in suitably violent fashion, yet another villain – Child is normally a reliable performer but here the writing seems oddly underpowered with few of the memorable quips that have proved such a feature of his best books in the series.

Book Reviews

Published by Tafelberg.

Tom Eaton is undoubtedly one of South Africa’s most witty and erudite commentators with a brand of humour that manages to be both razor-sharp and wryly tongue-in-cheek at the same time.

His latest collection, still fresh despite being mostly written before the Covid-19 pandemic struck, rails against current political shibboleths to entertaining and pointed effect. As is only to be expected, Eaton pulls no punches as he takes satirical swipes at a number of rather large and obvious targets – the ANC, Eskom, the SABC – but with his slightly skewed, off-centre approach he manages to illuminate this familiar territory with sharp flashes of novel insight..

Of course, no book about South Africa’s recent history would be complete without a dissection of the rotting cadaver of state capture that was the hallmark of Jacob Zuma’s time in office and Eaton duly obliges with a typically excellent, if typically depressing, essay on the man and the damage he inflicted on the country

In places, it is not at all a comfortable read. Eaton has a habit of shredding many of our common self-deceptions and irrational beliefs, as well as the sort of deluded wish-thinking that often characterises public debate. He includes, for example, a very thoughtful and balanced piece on the role of politics in sport in South Africa, arguing that it is naïve to think you can separate the two. In a chapter dealing with another vexed, contentious South Africa issue – the re-imposition of the death penalty – he puts forward a similarly persuasive argument, showing how we often allow our heated feelings on the subject to override common sense.

Eaton does not confine himself just to local matters. Elsewhere, he includes a perceptive essay on what is happening in the United States, a nation which seems to have been dumbed down to the extent where responsible and informed policy has largely ceased to exist under a regime that denies the reality of global warming and which has a president who advocates drinking bleach as a cure for Covid-19..

Eaton’s writing can be pithy. It can also be deadpan. Underpinning it all, though, is a deep vein of seriousness which forces you reconsider and look again at many of your own assumptions about the sort of society we live in. Or, as Eaton himself puts it, the book is “about trying to resist the knee-jerk responses that professional manipulators want us to have…”

Intelligent, well written and extremely funny, Is it Me or is Something Getting Hot in Here? is a terrific compendium of the incompetence and occasionally appalling behaviour of those in whom we have entrusted our vote. It also holds up a not always flattering mirror to ourselves…

Published by Bantam Press

With his blend of sardonic humour and noble integrity, Lee Childs’ laconic hero, Jack Reacher, is one of crime fictions most likeable and engaging characters.

In his latest outing we find him sitting on board a Greyhound bus, heading along the interstate highway, with no particular destination in mind. Across the aisle an old man sits asleep with a fat envelope of money hanging out of his pocket.

Reacher is not the only one who has spotted it. When the old man gets off, at the next stop, he is followed by another passenger with slicked-back, greasy, hair and a goatee beard. Naturally Reacher, his suspicions aroused, decides he better disembark as well, just in case the other guy has bad thoughts on his mind….

He has. Needless to say, by the time Reacher has finished with him he has good reason to regret ever harbouring them. While obviously grateful for Reacher’s intervention the old man is clearly reluctant to explain who the cash is intended for or to let him get further involved in his affairs.

This merely serves to pique Reacher’s interest further. Having insisted on accompanying the old man home, he eventually gets him to admit that he and his similarly elderly wife are the victims of an ugly extortion racket.

For a loner like Reacher who only becomes sociable when he meets good people in a jam, this goes against the grain and he immediately decides that the time has come to mete out his own particular brand of retributive justice against those who are making the old folks life a misery.

It takes Reacher little time to flush out the enemy but he also discovers he is vastly outnumbered. Despite finding himself caught up in the middle of a particularly vicious turf war, however, between two nasty rival gangs – the one Albanian, the other Ukrainian – he never seems to be in danger of losing his head.

Author, Lee Child, is a reliable performer and once again delivers an enjoyably familiar, violent, pacey, caper. The action sequences are handled with his customary elan while, at the same time, he convincingly manages to convey the sleazy, menacing, underbelly of modern city life.