Back in the days before
the Internet, Facebook, Twitter and cellphones with cameras, one of
the few things you could do, as a hip young thing, was immerse
yourself in music or, more particularly, rock ‘n roll.
The music of the time certainly influenced the way I looked at and felt about life. At boarding school it provided a tremendous mental and emotional release from the strict discipline and conservative family values which the authorities, in the paternalistic form of the Rhodesian Front Government, seemed so determined to ram down my throat.
It was an age when music was still seen as a catalyst for political and social change. At university I tried to fob myself off as a member of the counter-culture revolution, rejecting the materialism of my parents generation. I let it all hang out and felt groovy and grew my hair long, just like my music idols did, although, truth to tell, I was way too well-mannered to ever practice free love and too scared to take drugs.
Trying to fob myself off as a member of the counter-culture movement…
These days that spirit of youthful rebellion, that was a defining feature of my generation, seems to have all but petered out partly, I imagine, because the modern youth no longer faces the prospect of military conscription.
Likewise, most of the groups I listened to back then have long since disintegrated or disappeared off the scene (the Rolling Stones proving the one stubborn exception) but there are three singer/songwriters who have stuck with me along my life journey and provided a continuing link in my ongoing love affair with rock music – Bob Dylan, Neil Young and Bruce Springsteen. That chain has gone through periods of strength and weakness with albums of unquestionable brilliance being mixed up with the occasional dud.
The Future of Rock ‘n Roll…
Of the three artists, Springsteen was undoubtedly the late arrival although it’s hard to believe that it has been almost thirty years since rock critic Jon Landau penned the portentous lines: “Last Thursday, at the Harvard Square theatre, I saw my rock ‘n’ roll past flash before my eyes. And I saw something else: I saw rock and roll future and its name is Bruce Springsteen. And on a night when I needed to feel young, he made me feel like I was hearing music for the very first time”.- a eulogy the Boss has spent the rest of his life trying to live down
Besides their obvious musical genius, Dylan, Young and Springsteen shared certain other common characteristics. All three have made a career out of defying people’s expectations, constantly seeking to evade the mantle their fans had placed on them.
Starting out as an
acolyte of Woody Guthrie, Dylan famously scandalised members of the
folk music scene with his decision to go electric, prompting outraged
shouts of “Judas” from the audience. Springsteen, whose
ground-breaking Born To Run had come out in the shadow of the Vietnam
war, found himself being deserted in droves by his overwhelmingly
liberal fan base with the release of Born in the USA an album many,
mistakenly, saw as a paean to the policies of Ronald Reagan.
Another trait the
three share is that all they have all enjoyed late period career
revivals. Freer than ever before and liberated from the constraints
of labels and packaging, it seemed like they were finally able to
just relax and rediscover their mojo.
For his part Dylan displayed an astonishing return to form with 1997’s Time Out Of Mind and then, just to show this was no fluke, followed it up in 2001 with Love and Theft, an album which confirmed his renaissance, establishing a tighter sound and a looser attitude
A return to form…
With his craggy face and unkempt hair, Neil Young nowadays looks more like a weather-beaten farmer than a musician but that does not mean he has lost his edge or his ability to read the mood of the times. Both Springsteen and Young beat their much younger counterparts to the finish line with the release of their devastating post -9/11 albums (The Rising – Springsteen; Living with War – Young) which reflected a mounting alarm with the direction George W Bush was taking America. Young followed this up with his Freedom of Speech Tour – along side former band mates Crosby, Stills and Nash – staged during the US 2006 mid-term elections. Consisting mostly of anti-war songs, from Buffalo Springfield oldies such as For What Its Worth and CSNY’s era-defining Ohio, their tour received a mixed reaction with enthusiastic reviews being counterbalanced with scornful appraisals of the “ageing hippies” attempts to rouse America into antiwar protest.
Continuing on his lonesome way…
No matter. Young, who,
somewhat to his own bemusement, had been one of the inspirations
behind the whole “grunge” movement just shrugged it off and
continued on his lonesome, iconoclastic, way.
At this stage of my
life it seems unlikely I’ll ever get to realise my ambition of seeing
either Dylan or Young perform live but I did manage to catch
Springsteen when he visited South Africa. It was all I had hoped for
and more. For a few glorious – if rain-drenched – hours I, too,
felt young again.
If she had lived my mother would have turned a hundred this year. To mark this milestone, I decided to write this tribute to her…
My mother in her youth.
When in doubt have a cup of tea…Pic courtesy of Sally Scott.
My mother was one of life’s naturally good people; someone who managed to combine intelligence and kindness with an innate graciousness. Although she lived by clear standards of morality, she eschewed the judgemental; throughout her long and not always easy life, she remained a devoted mother and constant wife.
Born at Cassington in Oxfordshire on the 15th April, 1920, her father, Sydney Ralph Bridgen (who had married Helen Perkins), a veteran of the WW1 trenches, taught at the local school.
Helen & Sydney Bridgen.
He would later
assume the headship at King Sorbonne in Hampshire and then, in 1928,
Herstmonceux. It was in this idyllic, semi-rural setting that my
mother spent most of her formative years.
She had a happy, if sheltered, childhood. Her family – which included her two sisters (Barbara and Marguerite) and brother (Harry) – was close and supportive. From her father she inherited a love of the English country side and also his creative genes.
Barbara and Monica Bridgen.
Marguerite, Barbara, Monica, Harry, Sydney and Helen Bridgen.
She was especially interested in English, History and Art and showed real talent in these subjects. Her father encouraged her literary efforts. One of her poems, To a Seagull, appeared in CornhillMagazine in July, 1936, its then editor, Lord Gorell, commenting that “for one of your age your lines show very considerable promise”. Another poem, Sussex Downs, which she wrote and illustrated when she was only thirteen was published in the Daily Mail.
Monica Bridgen, 1934.
She excelled in art. Her drawings were really wonderful, so delicate and full of life and yet also extraordinarily confident for someone who had only just turned seventeen and often appeared unsure of herself. She won several Royal Drawing Awards.
Marguerite by Monica Bridgen (later Stidolph).
Barbara by Monica Bridgen (later Stidolph)
My mother was
particularly close to her brother Harry who, at the outbreak of the
Second World War, would join the RAF. It was Harry who arrived home
on pass, one weekend, with a group of his air-force colleagues.
Amongst them was a young RAF officer from Southern Rhodesia, Reginald Neville Stidolph. He was handsome and full of charm and in outlook and background very different from the few young men the shy, young, English rose had met. The attraction seems to have been instant and mutual. Putting on a posh accent my father’s first words were “Introduce me….please!”
R.N.Stidolph as a young airman, Fairy Swordfish.
Wing Commander R.N.Stidolph, DFC.
They were married on
the 10th July, 1940, in Herstmonceux. Progress in the
romance was curtailed when, on the 22nd August, my father
flew back to Alexandria in Egypt where he was stationed. He would not
return until March, 1943, two and a half years later.
Such was the
schizoid life of a bomber pilot trying to conduct a relationship
during a war.
Nine months after they got married my eldest brother, Patrick Alan, was born. In my mother’s version of the story he arrived by candle-light at Monk’s Rest, the long time Bridgen home in Herstmonceux, as German planes dropped incendiary bombs all around the village.
Monica Stidolph with Patrick. 1941.
A second son, Andrew
Paul Rosslyn, would also be born during the course of the war.
At the end of the war, my father was keen to get back to Africa and so, for my mother, there had to be a parting, sad like all farewells. Leaving the only world she had known she climbed on board the Carnavon Castle with her two young sons and set sail for Cape Town – and a new life.
My mother and unknown child, leaving England.
I have often wondered what she must have felt as she stood on the deck, watching the coast of England sinking in to the ship’s wake. No doubt there must have been a sense of expectation and adventure, mingled with the inevitable regret. I imagine she must have been nervous about the new challenges which faced her, whether she was equal to them only time would tell.
How my mother, Monica Stidolph, imagined Africa would be…
My mother’s first home was in the suburb of Parktown, in Salisbury, near to the airport where my father was now working as a pilot for Central African Airways. It was here my brother Peter and I were born although I have little recollection of the place.
Monica Stidolph with her four boys – Paul, Patrick, Anthony and Peter. Parktown.
Having settled in to
her new home my mother set about doing what was expected of a woman
in her position back then. Forsaking her artistic interests she
devoted her life to motherhood and keeping a tidy house.
For his part, my father – who had always hankered after having a place in the country – decided to scout out what smallholdings were available within a reasonable distance of Salisbury. In the end he brought one, about thirty acres, in Umwindsidale, just off the Enterprise road.
The only building on the property was a long rectangular room made of mud and grass and local poles which had a corrugated-iron roof and a floor of beaten earth. It was here we all lived, cheek by jowl, while my father set about building a new home which he loosely modelled on the traditional Cape Dutch style of house.
Our original house.
My mother with puff addder she shot with my father’s RAF-issue revolver.
My main memory of
the property is the view which was spectacular. Immediately below our
front verandah was a long, wide valley, extensively cultivated, along
whose edges the Umwindsi River flowed, its path marked by an outline
of dark green. Beyond this fertile plain stretched a further
succession of hills and valleys, blue and hazy, each one becoming
successively paler, in turn, as they rose to meet the sky.
When I was nine or
thereabouts my father decided the time had finally come to go the
whole hog and buy a proper farm. A natural optimist, once he had
chosen a course of action he was not one to be easily diverted from
it. More cautious by nature, my mother, I think, had her reservations
but eventually succumbed to the idea and allowed herself to be swept
along by my father’s enthusiasm.
I was away at boarding school at REPS, in the Matopos hills, when my father set out in search of his dream property. As it turned out he settled for the first one he laid his eyes on. Situated at the end of the Nyanga range the farm was, indeed, very beautiful although whether it would prove suitable for agriculture was a question which still had to be answered.
Consisting of five separate farms – Wheatlands, Barrydale, Groenfontein, Ellenvale and Witte Kopjes – it was in the shape of an inverted ‘L’ with its two northern-most beacons being situated on the top of Mount Nyangui (my father decided to apply this name to the whole farm) and Muchena respectively.
Nyangui (“The Place of Shouting”) mountain with baobab and old lands. Picture courtesy of Patrick Stidolph.
The rest of the farm
was low-lying with a long strip of red land, held between two rivers:
the Mwenje and the Pendeke. To the west and north lay the Zimbiti
Tribal Trust Land, on the eastern side it was flanked by the Nyangui
Forest Reserve.
It was also the
last white, commercial farm, in the district, and some distance from
the nearest rail head. Beyond it lay even more broken country with
yet more hills covered in ancient terraces and fortifications,
stretching down to the Ruenya River. Very few whites ever visited
this part of the world although there were two Catholic missions –
Elim and Avila.
On the other side of
the Ruenya was Makaha – literally meaning “Wild Country”. It
certainly was. A gold belt in this area had drawn some early
prospectors, including the German, Carl Peters, whose name you
forever find cropping up all over Africa. He claimed them for
Germany as the Kaiser Wilhelm Goldfields in 1892. The name was used
for the whole area until the war with Germany broke out in 1915, when
it was hastily dropped.
This, then, was our new home. If Southern Rhodesia was little more than a distant outpost of the British Empire, we occupied a very remote corner of that outpost.
For my mother, surveying the farm for the first time, it must have seemed a long way from the small English village she had left behind; the enormous view down the sun-drenched valley with the mountains running alongside, the tall, billowing clouds, the emptiness, the sense of space.
There was much to do. The farm hadn’t been worked for years so there were lands to stump and clear, furrows to dig, paddocks to fence off. While the land was being cleared, a house of sorts was built, using mud and local rock, next to the small stream which had a waterfall with a pool below. Upstream from that was a wide reed bed in which a family of wild pig and a large python lived.
View towards Muchena mountain. Pic coutesy of Patrick Stidolh.
Preparing the lands. Pic courtesy of Patrick Stidolph.
When
my father bought the farm he had great plans for it. He wanted to
make good. He visualised a future in which the farm would prosper to
the point where it could one day be divided up and each portion left
to one
of
his sons to run in turn.
The
reality turned out somewhat different for reasons which were not
altogether his fault.
Although situated in a beautiful part of Rhodesia, it was not good agricultural country. The soils were mostly poor, the rainfall patchy and unreliable. We were also very far from the markets. My father had little capital to start with and soon found himself indebted to the Land bank.
Inspecting the cattle. Anthony, Monica, Reg and Peter Stidolph.
The
time would come when he would be forced to take stock. We were far
from prosperous. Going through the bank statements and farm books it
became obvious to my father that there was no way we could get out of
the slough we were in, if we continued as we were.
He
needed to find more money. The most obvious way to do this was for
him to return to his old job as a pilot.
And
so the next eight-years or so my father all but disappeared out of
lives, working, at first, in the Persian Gulf and then, later, the
Sudan and Sierra Leone.
In his absence my mother was left to cope with the running the farm, as well as raising six (later seven) children, as best she could. Even though it must have seemed miles away from the world she imagined when she first came out to Africa, it was a struggle she faced courageously.
With her children away at boarding school, it was an isolated life. Her only neighbours, Old Man Mienie and his wife, lived about 10km away. Visitors were few and far between – the occasional animal health inspector come to check the cattle, the odd policeman on patrol. Sometimes our relations, the MacKenzie’s, would motor up from Salisbury for a visit.
There was no electricity so my mother had to rely on candles and paraffin lamps (and later gas) for lighting. Our water was pumped up to a tank on the hill behind our house by a hydraulic ram that fed off a furrow. In the early days she had to boil it in a drum on an outside fire and it was here she did her cooking too.
Mum’s kitchen.
Building a house, circa 1958.
When
we started out we could not afford a tractor so had to rely on oxen
to pull the single furrow plough. It was a slow, laborious process
and because we could not afford too much labour either, us children
were also expected to muck in.
The
weather was changeable. In the dry season bush fires were a constant
threat. Hot, dry winds seemed to suck all the goodness out of
everything. Drought could ruin the crops and enfeeble the cattle to
the point where they gave up hope and died.
You
never could predict when the rains would arrive and when they
did you could never tell what they would do. Sometimes
the storms moved in narrow swaths, drenching one part of the farm but
completely missing the next.
It
was very easy to think that there was indeed, some capricious mind
behind it all, a mind that took a certain impish delight in seeing
your moods oscillate between hope and despair..
Despite having no
background in agriculture my mother battled on as best she could. The
farm consumed her life. Just when it seemed it was finally about to
start paying for itself a new, more ominous, threat loomed on the
horizon: the outbreak of the Rhodesian Bush War in the early1970s.
When my mother was
eventually forced to leave Nyangui because of the deteriorating
security situation she floundered and then recovered but, deep down,
I sensed her life had been irreparably altered. It was like a light
had switched off inside her and she was never quite able to regain
her old enthusiasm.
Thereafter she accepted whatever hand fate chose to deal her with an almost Buddha-like stoicism. Nevertheless, I think she was happy enough in Francistown where she moved to join my father who was flying for WENELA and then later Bowmont, the small farm they purchased near Kadoma.
Some years after my my father died she married our next door neighbour, Jim Hastings, a small-worker who set up a three-stamp mill on the property to crush for gold. When Zimbabwe started to go through a rather tumultous patch in its history, it was decided they should both move on to my brother Peter’s tobacco farm, Sangalolo, in Karoi.
When his farm was seized during Robert Mugabe’s violent and chaotic land grab we arranged for her to come down South Africa to live with my sister, Penny, and her husband , Ric, in Grahamstown. All three of my sisters lived in the area and I was able to come down on regular visits from Pietermaritzburg, so she was loved and well cared for.
Her final years were peaceful and happy. After the hard life and sacrifices she had made it was the least she deserved.
My mother in old age with Henry the cat.
When I think of my
mother the qualities which stand out for me are her honesty, her
integrity, her decency and her quiet strength. She played the hand
she had been given, she was never one to complain about her lot.
Despite having led a life mostly cut-off from normal society, she
showed no sign of being lonely; on the contrary she seemed to derive
a certain comfort from the solitude.
Like many married women of that generation, her life involved compromises which left her talents unfulfilled. I have always thought it sad that she gave up on her art at such an early age. It is one of the reasons I felt compelled to persist with my own efforts. I wanted to live the life she could have had.
Although she remained reticent on the subject, I don’t think she had many regrets about this sacrifice. Her children came first. She was certainly proud of us. “I didn’t produce a single dud,” she liked to say towards the end of her life.
That we turned out
the way we did was largely due to her.
My hope is that as she lay dying, with her three loving daughters by her side, she got an inkling of how much we appreciated what she had sacrificed for us and how much she would be missed…
MORE EXAMPLES OF MONICA BRIDGEN’S ARTWORK:
The following drawings were mostly done when my mother was only seventeen..
My father R.N.Stidolph.
My father, R.N.Stidolph
My mother’s sisters, Marguerite (above) and Barbara.
My father, R.N.Stidolph.
POEMS OF MONICA BRIDGEN:
ACKNOWLEDGEMENTS:
Many thanks to my brother, Patrick, for researching our family tree and to my mother, Monica, whose own memoirs I drew on for this tribute.
Literature and butterflies are the two sweetest passions known to man.
Vladimir Nabokov.
A host of butterflies. I took this pic near Barberton, Mpumalanga.
It is 7.30 am and I am taking my usual nosey wander down the path that leads from my house to the Kusane river. It is a beautiful, balmy, sun-filled, day. Suddenly a butterfly – or rather a butterfly and its passenger – alights on a plant just to my right.
In the past I would have just cast a cursory glance in their direction and then proceeded on my way.
This time I stop, grab my old Canon out of its bag and start snapping away. The reason for this is that I have recently been given a field guide to the butterflies of South Africa* to review and suddenly I have become enamoured with the subject.
I circle around the butterfly, trying to get closer and closer, angling in for the perfect shot. I have no idea what the butterfly is but as soon as I get home I will get out the book and try and identify it, looking for its most distinctive features (as a political cartoonist I have had a lot of experience in this – it is what I do when a new president or other public figure appears). I will also look at the butterflies habits and distribution, hunting for those tell-tale clues that might aid me in my search.
African Monarch (Danaus chrysippus), Kusane Farm.
Then I will add it to my list.
As an artist my approach to nature has always been more sentimental than scientific. I am attracted by the lyrical rather than the factual. I look for beauty and seek solace in my natural surroundings. I love the intense intimacy you can develop with your local landscape over time.
All of which makes it strange that I have neglected – although not completely ignored – butterflies for so long because if anything inspires a sense of wonder in nature they do.
I am determined to remedy this. I have probably left it rather late in life to ever become anything like an expert but you have to start somewhere. And, because it is so open, Kusane Farm seems a good place to begin. Also, I live here.
A Pirate Butterfly (Catacroptera cloanthe cloanthe) about to take off. Note small beetles. Kusane.
In spring and summer we get lots of wild flowers coming up in the mist-belt grasslands, especially after a burn. That serves as a magnet for the nectar-loving insect.
It is 7.30 am again and I am back on the familiar path hoping to carry on where I left off before. Around me the swallows are diving and swooping with quick forward thrusts. There is a strong impression of activity and movement everywhere.
I home in on a butterfly which has landed in a cluster of flowers.
As I approach it, it glides off, stalls, hovers and drops down on to another flower with closed wings. Out comes its long, thin, tube-like proboscis and inserting it in to the flower it proceeds to feed. Once it has sated itself, off it goes in search of the next flower.
Everywhere I look there are other butterflies doing the same.
Their flight paths seem wildly erratic, they keep making continual adjustments to their speed, direction and angle of flight. Unlike most birds or bees, you don’t get that sense they know where they are going.
And yet they obviously do.
Sometimes – as happens in the annual migration of the Brown-veined White Butterfly (Belenois aurota) which takes place at midsummer each year – they come floating by in straggly groups for days on end. There are thousands and thousands of them in seemingly endless flight. I was amazed to read, in my guide, that this particular species originate in the dry Karoo and Kalahari where they gather in their millions and take to the sky heading in a southerly to easterly direction up through the East Cape and Kwa Zulu – Natal to the Mozambique coastline.
Brown-veined White (aka Pioneer Caper White)…
…on mid-summer migration. Kusane.
That is a long way to fly for something so fragile and small.
What makes this mass migration even more astonishing is that the butterflies need precisely timed stopovers for feeding – which means they need to find flowers growing at regular intervals.
This can’t be easy since to fuel this epic marathon they probably have to harvest hundreds of flowers a day.
The other question which kept whizzing around my brain, as I stood watching them zig-zagging their way across the farm, was this – how can a creature with such a pin-size brain navigate and keep track of its position?! I must confess I have no explanation. As happens everywhere in nature, there still are many unanswered questions, which intrigue amateurs at least as much as scientists.
My butterfly list, so far, is not very long and includes no rarities, just your common varieties (although back in 2018, when I was in Marakele, I did see a Kransberg Widow, a very rare and beautiful butterfly which briefly appears during November and early-December and only occurs on this particular mountain. Unfortunately, I did not get a photograph of it).
I hope to rectify that.
To an outsider this making of lists probably seems like a strange passion, one bordering on obsession. Almost a perversion. They may be right. I don’t care. For me it is all part of the thrill of the chase.
As a long-standing twitcher, I have experienced the sense of excitement and privilege which comes from finding something special (a Pel’s Fishing Owl, Narina Trogon, African Broadbill, Rudd’s Apalis, Southern Banded Snake Eagle, Palm-nut Vulture, a pale, female, morph form of the Eurasian Honey Buzzard – to name a few). That thrill grows even stronger when you come across what we interpret as a “rarity” or a “vagrant” (my list is probably topped by the Gull-billed Tern which I got at Nyamithi Pan in Ndumo Game Reserve in Zululand).
Already I am picking up some valuable tips and learning some important life-lessons as I pursue my quarry and record my sightings.
I have discovered, for example, that while we humans may abhor them in our gardens, butterflies simply love weeds. The irritating black jack, which you find so annoying because it sticks to your clothes when you brush past it, seems to be a particular favourite of theirs.
Garden Acraea (Acraea horta) on blackjack flower, Kusane.
This in turn has caused a major rethink on my part. Suddenly I am far more reluctant to pull these bothersome plants out of my flower garden and toss them to the chickens to turn in to mulch. They fulfil a role. They feed the butterflies who I want to attract to my garden. I want the butterflies to look upon my home as their home.
With climate change already taking its toll, one wonders what will happen to the humble, unassuming, butterfly in the future? Will they be able to evolve or adjust their behaviour?
Rising temperatures, associated with climate change, have already begun to change birds schedules. Many have started moving south.
When I first arrived in KwaZulu-Natal, for example, it was unusual to see the Wooly-necked Stork south of the Zululand parks. An uncommon resident they were regarded as a wetland species associated with lagoons, ponds and rivers. In recent years they have started showing up in increasing numbers in cities such as Pietermaritzburg and Durban, in a sense swapping one habitat for another.
A Wooly-necked Stork in Pietermaritzburg suburbia, ignoring metal imposters. Picture courtesy of Mark Wing.
Some plants are also making this latitudinal shift.
I would imagine the same is happening to butterflies although I don’t know enough about them to be sure. Assuming that tree and flower-blossoming times are also changing it seems likely though.
What I do know for certain, is that I hope they will always be around. If the ancient Greek Goddess, Gaea – the first deity to be born after Chaos, the gaping emptiness – is seen as the personification of the earth and the Mother of Everything Beautiful, then the unassuming butterfly must, surely, be one of her most potent and miraculous symbols?
GALLERY:
Herewith a selection of photographs, showing some of the butterflies in our area:
African Blue Pansy, Kusane
Angled Grass Yellow, Kusane.
Common Zebra Blue, Kusane
Dark Blue Pansy, Kusane.
Forest Swallowtail (aka Bush Kite), Karkloof Forest.
Narrow Green-banded Swallowtail, Kusane
Painted Lady, Kusane
Pea Blue, kusane.
Pirate, Kusane
Polka Dot, Kusane
Rainforest Brown, Kusane.
Garden Inspector, Kusane.
Southern Gaudy Commodore, Kusane.
Vine Leaf Vagrant, Kusane.
Yellow Pansy, Kusane
.
* Field Guide to Butterflies of South Africa by Steve Woodhall (published by Struik Nature).
With the Rhodesian Bush War intensifying and many whites leaving the country because they saw no future for themselves, it was probably not the wisest of times to be considering such an investment – some might even have called it foolhardy – but my father was never one to doubt his own judgement and went ahead anyway.
He had recently come
in to some money, as a result of finally selling our long abandoned
Nyanga ranch to the new (and destined to be short- lived)
Zimbabwe-Rhodesia Government who wanted it for resettlement.
With the proceeds my
father bought a 1500 acre property adjoining my brother Paul’s
cattle ranch in the Battlefields area (so named because many of the
old gold mines and farms in the area had been named after famous
battles) in the Rhodesian Midlands.
Situated in a
marginal rainfall area about halfway between the towns of KweKwe and
Kadoma the farm consisted mostly of mixed mopani woodland. Although
there were some crops grown in the area (mainly cotton and wheat),
usually where there was irrigation available to supplement the
unreliable rainfall, this was mostly cattle country.
The ranches tended
to be large, each one separated from its neighbour by miles and miles
of rough, ribbed, ungoverned country. If I stood on top of the low
range of hills that ran immediately behind the old homestead I could
see no other sign of human settlement in all directions other than
the cooling towers of the Umniati Power Station which protruded above
the tree line and the electricity pylons that marched like an army of
ungainly giants alongside the main Salisbury-Bulawayo Road.
There was already a house built on the farm, simple but comfortable in the old settler style. It consisting of whitewashed brick with a corrugated iron roof, big, bare rooms and a wide veranda which jutted forward over what remained of a lawn.
Bowmont house with vlei.
It had been built
on a small shoulder of land, in front of which was a vlei that
sometimes flooded in the rainy season but for the most part consisted
of a series of potholes caked with cracked mud. On the other side of
this stood a thin belt of thorn trees and beyond that a fenced
enclosure that had once been a cultivated field but was now slowly
being reclaimed by the bush.
Although my first
loyalty will always be to the Nyanga farm, where I grew up, Bowmont
came to exert a similar hold over me; it had the same haunting and
mysterious familiarity although, on the surface, its attractions were
a whole lot less obvious.
On the Inyanga farm
our horizons had been ringed by mountains and no matter where you
stood you were more or less guaranteed a great view. On Bowmont once
you left the Big Vlei, the trees closed in around you and your vision
became restricted to a few hundred metres on every side.
Whereas I had fallen
for the Inyanga landscape almost on sight, Bowmont revealed its
beauty in a more subtle, slower way.
Having bought the farm, my parents had to decide what to do with it. In her usual quiet, methodical way my mother immediately set about creating a garden, one that would provide a bright, colourful oasis in the middle of the dry veldt.
The house when we first arrived.
The house after my mother had created a garden.
For his part my father decided that Bowmont was good sheep farming country. Unfortunately he could never persuade the sheep themselves to accept this fact. For some reason they didn’t like the area at all and despite my father best efforts to convince them otherwise they persisted in growing thin and dying with a monotonous regularity.
It soon became more
than obvious that we would be hard-pressed to earn a living this way.
In a letter to my English cousin, Rebecca, I noted somewhat despairingly: “August is our cruellest month: the nights are still cold but the days are hot and we are pestered by an angry dry wind that blows dust into everything and slowly frazzles out the landscape. The grass turns harsh and tough and stubbly and in between the soil is dry and cracked, the blood sucked out of it; waiting to get whipped up along with the dead leaves and other winter-time debris and carried away by the meandering dust-devils. It is also the month when the sheep driven on by visions of green begin to stray and get preyed on by the equally hungry jackal…”
Our sheep herder.
My nephew has a go at being a sheep herder…
The advent of the
rains – which could happen any time between October and December –
always marked the turning point of the year. For weeks beforehand I
would find myself anxiously panning the skies for the first tell-tale
signs that they were on their way. Normally there would be a few
false starts before the day would come when the dark storm clouds
would start banking over head and the air became charged and tense
and then suddenly you would hear the first big, shiny drops falling
and hissing as they hit the sun-parched ground.
Living in a dry
country, there was no nicer sound than lying in my bed at night
listening to the rain drumming down on the corrugated iron roof while
the old mango tree outside my bedroom window heaved and swung and the
thunder rolled along the line of kopjes.
At his stage of my
life I was – in between my numerous army call-ups – six weeks in,
two months out – employed at the Mining Commissioner’s office in
Gwelo. Built somewhat optimistically in 1896 as a Stock Exchange the
building which housed our offices had that air of beguiling
shabbiness one so often associates with government departments –
especially those banished to the sub-regions. The work itself was of
a fairly dull and routine nature – issuing prospectors’ licences,
registering mining claims and trying to sort out disputes between
farmers and miners over land rights. Most weekends I would jump into
my battered old Datsun 1200 and together with my border collie,
Bruce, head off to Bowmont.
In the meantime the
war ground inexorably on towards its inevitable conclusion. The
advent of majority rule finally gave me the excuse I needed to quit
my government job and to move to the farm to help out my father who
was becoming increasingly ill.
He eventually died in Harare on the 3rd February, 1983. After his death and with my mother now working during the weekdays at a boarding school just outside Chegutu I lived alone in the farm. During the holidays I would be joined by my young sister, Nicola, who was a boarder at Queen Elizabeth in Harare.
The solitude suited
me. During the preceding years, my double life as as part-time
civilian, part-time soldier had taken its toll. After seven years of
fighting for a cause I had never really believed in I had found
myself consumed by an increasing sense of futility.
When the war
finally ended, I had left the army with a feeling of moral blankness
but now I had plenty of time on my hands to think about my
experiences and get back in touch my feelings.
Just being there and going for long tramps with the dogs through the bush was a therapy of sorts, a way of clearing the cobwebs out of my mind. I enjoyed fixing up the farm which when we had taken it over had been in a fairly dilapidated state. I planted lots of fruit trees and grape vines; I fenced off paddocks and built drinking troughs for the sheep. I even started making my own wines which, although they were unlikely to win any awards, were at least drinkable.
Cooling off in the trough…
I particularly liked
the early mornings before the heat tired and numbed one and sapped
out all your energy. I also loved sitting on the veranda in the
evenings drinking gin-and tonics and listening to the comforting
“kuk-cooo-kuks” (“Work harder, work harder”) of the Cape
Turtle Doves while the francolin called from Kwali Corner and the
guinea fowl clinked softly in the old lands. Sometimes, especially in
summer, I would sit out there with my feet propped up on the veranda
wall until way after dark, gazing at the large yellow moon as it rose
above the tree line and listening to the jackal calling and the
insects shrilling in the encircling gloom.
Two large tributaries of the Zambezi – the Umniati (corrupted from sanyati meaning “many buffalo in the area”) and the Umsweswe (derived from the onomatopoeic word sweswe – meaning “the sound of dragging feet”) – flowed through the area.
The Umniati River.
The Umsweswe River with my nephew, Alex.
The former provided the southern boundary of my brother Paul’s next door property, Thetis. It provided a favourite walk. When I was not working the land, it was to here I often headed, a shotgun slung over my shoulder just in case of I was not sure what. I just felt comfortable with it. A hangover from the war, I suppose.
I would pick my way
along the river’s bank, my senses alert to any sounds, my eyes peeled
for a flicker of movement. Although there were no longer any menacing
buffalo to worry about, the countryside still had a wild and
uncultivated look.
There was other game about. I often saw kudu, and every now and again a male warthog would come trotting out in to the open with an impudent air, followed, shortly, afterwards by the rest of the family. Despite the shotgun, I was never interested in shooting at anything. The war had cured me of that.
Exploring the bush. Brother Paul and myself.
On some days I took
a rod with me but although there were plenty of promising looking
pools to fish in I never caught much. That was not really the
purpose. I was content just to sit on the hot rocks, listening to the
birds and watching the shreds of cloud drifting overhead
As happy as I
thought I was it became increasingly apparent to me that I could not
carry on indefinitely like this, that this was only a temporary
stopping- off point.
I began to wonder
what on earth I was going to do with the rest of my life. As much as
I enjoyed the outdoors I didn’t really feel I was cut out to be a
farmer; even if I had the farm was too small to be economical and I
had no capital of my own to invest in it.
I had no idea what
other form of employment lay open to me. Neither my qualifications
nor my inclination fitted me for the few jobs on offer.
Indeed, I was no
longer even sure if an independent Zimbabwe was the place for me. I
was beginning to feel that I had come to the end of this particular
road. My innate restlessness also played a part, a taste for change
and new adventures, a fresh start in a place where I was not bogged
down by memories.
The time had come
for me to move on. But to where?
It was my sister,
Sally, who suggested a way out of my predicament. After the war had
ended she and her husband had emigrated to South Africa, settling
first in Phalaborwa and then, later, Durban.
I had always been an
inveterate scribbler, filling the margins of my exercise books at
both school and university with drawings when I should have been
listening to what the person in front of the blackboard was saying.
It probably explains why so many of my exam results were not as good
as they could have been.
Remembering this and
believing in my talent – at that stage she had far more faith in it
than I did – Sally set me up with a couple of interviews in Durban.
So, at the end of 1983, I drove down to South Africa, feeling very
sceptical about whether anybody would actually want to employ me.
Much to my surprise
they did. In fact, I was offered a job by the first person who
interviewed me – the MD of Scope Magazine.
That settled the
matter. There could be no more dragging of feet. A new chapter of my
life had begun.
The day before I left Bowmont for good, I set out for my last walk along the farm boundary fence, trying to memorise all the sights and scenes and take in all the scents and feelings in the hope I could carry them away with me. After that I went back to the old house, packed up my few possessions in to the boot of my car and early next morning set off down the familiar dusty road that crosses the railway track by the old Battlefields General Dealer store.
Then I branched off down the tar towards the border, desperately trying to keep the lid down on all my choked-up emotions as I did.
Sunset over the Langeberg. Looking towards Swellendam.
The sun was slanting away behind me sending long thin shadows down the slopes of the Langeberg as I drove past the sign post to Groot Vader’s Bosch.
I had jetted in to Cape Town from Durban that morning on a return pilgrimage to the farm, near Swellendam, where my ancestors, the Moodies, had first settled after their departure from the Orkney Islands, way back in the early 1800s. Ostensibly the purpose of my visit was to celebrate an important milestone birthday in my life with family and friends.
This was not,
however, the only object of my journey.
I wanted to know more about the Moodies. I wanted to get a glimpse in to their lives and their thoughts and their feelings. I wanted to experience the sublime landscape they had settled in and try and see it through their eyes as well as my own.
The older I get the more fascinated I become with this stuff. It gives me a link, however tenuous, with my past and a society in some ways like ours, in other respects manifestly different.
On the trail of the Moodies – various family members and friends. Picture courtesy of Craig Scott.
I suspect there was
another motive too. Maybe it was because, when the whole world seems
under threat, it feels comforting to escape backwards.
Of course, things were not necessarily any safer or better back in those days. You only have to read any contemporary account of life in nineteenth century South Africa to realise they, too, faced their own peculiar set of challenges.
There were, for example, none of the comforts of modern travel. The sea voyage from Britain to Cape Town was a stomach-churning, gruelling, ordeal in those leaky, old, wooden, wave-tossed, sail boats, especially for those of a delicate constitution. In a letter home, dated August 1775, the Hon. Sophia Pigot (whose daughter would go on to marry an ancestor of mine) wrote “Lud! How weary one grows of salted meat. And of the Ocean too, I swear I am enamoured even of this monstrous queer-shaped Mountain flat as a Board after near four months of nothing but Water on every side”.
And if you were
travelling on to India, like Sophia was, you still faced many more
exhausting months at sea. The possibility of getting shipwrecked was
something else you had to factor in to your calculations…
India was not, however, my area of concern. On this trip I wanted to follow up on a story which I had just scratched the surface of and which involved another ancestor of mine: John Wedderburn Moodie whose arrival in South Africa, exactly 200-years ago, I wanted to celebrate along with my own birthday. Even though I am descended from his elder brother, Benjamin, I have always felt a strange emotional bond with John Wedderburn.
J.W.D.Moodie in old age.
Reading his book,
Ten Years in South Africa I kept seeing bits of his
character in myself. We even looked vaguely alike. In his struggle to
create a new life on the African frontier, I also saw echoes of my
parent’s attempts to tame their own wilderness back home in Rhodesia
(now Zimbabwe).
Ten Years in South Africa is a delight to read. It is one of those books that appear as fresh and vivid now as on the day it was published. John was a gifted, observant, writer; intelligence and kindness go hand in hand with a keen sense of humour and a sharp – even satirical – eye.The book is full of interesting vignettes and insights in to the South Africa of the time.
Illustration from Ten Years in South Africa. Falling foul of an elephant.
While he obviously shared some of the prejudices of his class and era, he seems to have also possessed an instinctive feeling for the other side, displaying an almost anthropological interest in the country and its people which further endeared him to me.
John had originally
joined his brother at Groot Vader’s Bosch in 1819. He was clearly
taken with his new home among the mountains.
In front of the old, thatched, Dutch-style house, beyond a trim garden shaded by some towering trees, several fields of lush, green pasture-land shelved gently down to a small spruit concealed behind a wild tangle of briers, shrubbery and trees. Upstream the country grew increasingly hilly until, through a narrow cleft, the jagged blue outline of the Langeberg suddenly soared in to view.
Groot Vader’s Bosch homestead.
Upstairs bathroom. Pic courtesy C.Scott.
Kitchen area. Pic courtesy C.Scott.
Kitchen area. Pic courtesy of C.Scott.
John Moodie – owner of next door Honeywood Farm – in main lounge. Pic courtesy of C.Scott.
Benjamin Moodie who originally bought Groot Vader’s Bosch. Pic C.Scott.
Standing there, the day before my own birthday, I could easily see why the countryside had appealed to a man of John’s romantic sensibilities:
“As may be supposed, amid scenes of such novelty and attraction to a young mind, many weeks elapsed before I felt much disposed to apply myself to any serious occupation. My brother, whose zest for the amusements of the country was renewed from sympathy, and not a little from the pleasure of showing his own proficiency in the language and manners of the colony, cordially entered in to my feelings, and scarcely a day passed that we did not ride out on some shooting excursion among the hills...”
They also paid courtesy calls on some of their Dutch neighbours, including one old Afrikaner towards whom John adapts a teasing, ironic tone:
“Among the neighbours who we visited in the course of our rides in the vicinity of Groot Vader’s Bosch was an old man of the name of Botha. His house stood in a plain surrounded on all sides by high hills; and in front, towards the mountains, a scene met the eye which for wild and savage magnificence could hardly be exceeded in nature…Never was a man less live to the enjoyment of such scenery than Martinus Botha; nor could he conceive what pleasure we experienced in our contemplation. All that he knew or cared for was, that he had a constant run of water for his mill; but whether it came from a romantic chasm, or from a muddy lake, was to him a matter of the greatest indifference.”
” A scene met they eye which for wild and savage magnificence could hardly be exceeded in nature…” View from Groot Vader’s Bosch, looking in opposite direction to Swellendam.
Always on the look
out for new opportunities, Benjamin and his two brothers would later
trek up to the Eastern Frontier. Sir Rufane Donkin, who was
Acting-Governor of the Cape in the absence of Lord Charles Somerset,
had granted them land in the ceded territory between the Beka and
Fish rivers, as well as a stake in the proposed new settlement of
Fredericksburg which was to be situated just north of the present day
Peddie.
When Somerset
returned he took umbrage to these plans which had been made without
his blessing and conflicted with his own ideas for the region. He
immediately scuppered them.
By way of
compensation the Moodie brothers were granted three farms in the
Zuurveld, just south of the Bushmen’s River, namely: Long Hope
(Benjamin), Kaba and Groot Vlei (John and Donald).
Kaba, the
southernmost-property, is situated in a long, cigar-shaped valley
which runs diagonally down to the sea. Standing on the apron of land
between two hills, the turf as thick and spongy as a tended lawn, the
two brothers could not believe their luck at having stumbled on this
happy patch of ground. They were quick to appreciate its agricultural
worth:
“I have never met with any soil bearing such indisputable tokens of fertility as that of the Kaba, as this alluvial valley is called…” John enthused, “The level bottom was everywhere covered with rich vegetable mould, from one to three feet thick, containing land and sea shells in considerable quantities…Highly delighted with the appearance of this rich but lonely spot, we returned through the wood the same way we came, guiding ourselves by the tracks of our horses.”
The Kaba.
Groot Vlei, their other property, lies just to the north of this valley. Running parallel to the coastline between a sheltering ridge of hills on the one side and the large, active, Alexandria dune field on the seaward side, it consists of a series of wave-cut platforms which form a staircase-like feature down to the sea. As the sea-level has dropped relative to the land so the water table has dropped with it, leaving the whole valley dry except during rain.
Groot Vlei
Because of this problem John and Donald elected to build their home at Kaba which they nostalgically renamed Hoy after the island in the Orkney’s they had come from (it has since reverted to its original name) where there was a more plentiful supply of running water.
For a while the two
brothers farmed together but then Donald began to spend more and more
time away. The reason for his continued absences soon became
apparent. While on a trip inland he had met and fallen in love with
Eliza Sophia Pigot, daughter of one of the principal 1820 settlers.
The two were married in 1824.
Thereafter Donald gave up farming, making use of his new family connections to secure the position of magistrate and Government Resident at the mouth of the Cowie river. In 1842 he and his family moved to Natal where he entered a career in politics eventually rising to the position of Colonial Secretary under Martin West, Natal’s first Lieutenant-Governor.
With Donald gone,
John soldiered on alone first at Kaba and then Groot Vlei, to which
he moved because he considered it a healthier spot.
Here he lived what he described as “a kind of Robinson Crusoe-life”. Separated by many miles from his nearest English-speaking neighbours, his farming operations limited by a lack of capital and the distance from the markets, the loneliness eventually got to him. Hungering for companionship he decided to return to England to look for a wife.
In England he met and married Susanna Strickland, one of six daughters in a close-knit, genteel, literary, if not very well-off Suffolk family who could have stepped out of the pages of a Jane Austen novel. With no career prospects in England, John was keen to return to Africa but his new bride had been put off by all his tales of lions, elephants and snakes and so the two eventually opted to settle in Canada, a place where the ever-optimistic John hoped “my exertions will meet with greater success”.
A young Susannna Moodie.
The reality was
altogether different.
The most ‘English’ land had already been taken and so they were forced to head further north. The Canada they encountered here, in 1832, was a land of vast, gloomy, almost impenetrable forests broken up by swamps, rocky outcrops and clearings created by forest fires. In its own way it was every bit as wild and lonely as the African bush he had left behind.
The winters were
bitterly cold and often the only sound they could hear in the icy
dead of night was the howling of wolves. From the start their life
was one long, exhausting struggle to survive in a harsh, unforgiving
climate.
Susanna’s background, in particular, had hardly prepared her for such a life. She was painfully aware of her own inexperience, she made countless mistakes. Watching her trying to make the best of it, there must have been times when John longingly recalled the magnificent scenery and more agreeable climate of Groot Vader’s Bosch.
Eventually, like
other rainbow-chasers before them, the Moodies would abandon the
farming life and return to the comparative comforts of the streets.
Susanna Moodie would go on to become a Canadian literary icon. Her book Roughing it in the Bush, which described her experiences in the bleak north, is considered a classic. She and her sister, Catherine, are also the subject of author Charlotte Grey’s double biography Sisters in the Wilderness: The Lives of Susanna Moodie and Catherine Parr Trail which won the 2000 Libris award and became a national best-seller.
Susanna Moodie in later life.
Among Susanna Moodie’s other admirers is Margaret Atwood, the author of a Handmaid’s Tale, who contributed an introduction to the 1986 edition of the book. Placing her with three other women writers, who were the first to produce much of anything resembling literature in Upper Canada, Attwood shrewedly observes that:“If Catherine Par Traill with her imperturbable practicality is what we would like to think we would be under the circumstances, Susanna Moodie is what we secretly suspect we would have been instead.”
Atwood also
published a book of poetry, in 1970, titled The Journals of
Susanna Moodie in which she adopted the voice of Moodie and
attempted to imagine and convey Moodie’s feelings about life in the
Canada of her era. It is regarded by many as her most fully realised
volume of poetry and one of the great Canadian and feminist epics.
Back in the present, I decided I would pay my own little homage to John and his kin by immersing myself in the water – stained to the colour of a dark, red wine by all the fynbos it had passed through – of the same spruit he had described so lovingly in his book. It was icy cold. One dip and I felt my skin goosepimpling riotously.
Me – trying to purify my soul. Picture courtesy of Craig Scott.
I didn’t mind. There was something quite magical about the experience. I felt like I was being baptised in some sort of purifying, healing, sacred pool.
Standing there, shivering, in that hallowed spot, under the lowering majesty of the Langeberg range I felt a special linking of the spirits – that of the land, John Wedderburn’s and mine….
GALLERY:
Some more scenes from Groot Vader’s Bosch:
The Chicken Whisperer calls up the hens of GVB. Pic by Nicky Rosselli.
The Moodie family graveyard.
View from the graveyard to farm below. The old house in on the left, out of picture.
View over the wheatfields towards the Tradouw Pass and the Langeberg. Pic by Craig Scott.
Below are some pics of us celebrating my birthday, as well as the 200th anniversary of the arrival of John Wedderburn Moodie in South Africa. The party was held at Honeywood Farm which adjoins Groot Vader’s Bosch and also belongs to the Moodies. While I was there I managed to spot some unusual birds as well (the theme of the celebration was Birds of a Feather):
Thinking about the road less travelled. Pic by Craig Scott.
A toast. Pic by Craig Scott.
The twitcher cracks a funny. Pic by Craig Scott.
With my sisters Nicky, Sally and Penny. Pic Craig Scott.
Sullen raptors with cheerful twitcher. Pic by Tammy Scott.
Swooping in for the kill. Pic by Craig Scott.
Some sort of Starling? Or maybe a Sturrock? Pic by Craig Scott.
Blue bird Kelly Bernard and angels. Pic Craig Scott.
BIBLIOGRAPHY:
Burrows, Edmund H –
Overberg Outspan.
Burrows, Edmund H –
The Moodies of Melsetter.
Miller, Maskew –
Dark Bright Land.
Moodie, John
Wedderburn – Ten Years in South Africa.
My father, Wing Commander Reginald Neville Stidolph, in RAF.
QUOTE: I could ask, ‘Why risk it?’ as I have been asked since, and I could answer, ‘Each to his element.’ By his nature a sailor must sail, a flyer must fly.
Beryl Markham on why she flew across the Atlantic to America (West With the Night)
xxx
During my teenage years, when we were living in the back of beyond, in Nyanga North, my father was seldom at home.
This
was because the small amount of capital he
had used to establish our farm was nearly exhausted.
After several
years of struggle against drought, disease, crop failure, packs of
ravenous hyena, a
pride of lion and the
Land Bank, he had
come to the realization
that the only way to avoid getting
deeper in to debt was
for him to return to his old job – flying
aeroplanes – leaving my mother behind
to struggle on as best she could without
him.
For the next seven-years my father all but disappeared out of our lives; the only communication, besides a monthly cheque, being the occasional scribbled letter from such exotic, far-off locations as the Persian Gulf, Sudan and Sierra Leone.
Although he was not
present in the flesh, he was always there in spirit. The farm had
been his dream and by working it, my mother and the rest of us
children were, in a sense, living it for him.
By the time he finally returned home, I had already left school and gone to university. Because of this I still did not see a great deal of him although I did sometimes go and stay with him during my holidays when he was working for WENELA, based in Francistown, Botswana.
I came to love these visits especially because my father would usually arrange to take me up in the air with him. I would take an old camp chair and a Thermos of tea and sit up in the cockpit of the old DC3 or DC4 where I had an eagle’s view over the ground below.
My father next to DC3, Maun.
Wenela DC4, Francistown.
Botswana is a country in which distances seem endless. Flying across the sparsely inhabited landscape, the plains stretch out for miles and miles and you really get to see how huge the Kalahari, Makgadikgadi Pans and Okavango Swamps are.
The droning engines. Flying over the Okavango Swamps in December 1970. Picture courtesy of Pete Stidolph.
There was something wonderful about flying in those jolting, rickety, oil-leaking old planes with their loud, droning engines. This was air travel before they took the edge and excitement out of it.
Being at the controls was so second nature to my father that he used to switch on to auto-pilot and sleep for most of the journey. Amazingly, he always knew exactly when to wake up.
Snooze time…
Not every flight went according to schedule. I remember the one time we had to change direction because a solid wall of angry, dark, rain clouds was advancing towards us at rapid speed with huge bolts of lightning slashing angrily out below them.
Storm over Botswana. Picture courtesy of Pete Stidolph.
We managed to outrun the full force of the storm, landing in Francistown just as it hit us. “I think we need a beer after that!” my father said, once we were safely inside the hangar, so we jumped in to his car and sped off to the Horseshoe Bar, just opposite the station in to which the old steam trains came puffing.
Flying in such conditions certainly provided its own unique set of challenges. On another occasion, a rhino came thundering on to the dirt airstrip, in a maelstrom of dust, just as we were about to touch down at Shakawe, at the northern tip of the Swamps, forcing my father to pull the plane’s nose back up in to the air.
It is not something I could imagine happening at, say, Heathrow or JFK Airport…
Sadly, it was only right at the end of his life that I began to spend a lot of time with my father and got to understand him better. He was retired and living with my mother on Bowmont, a small farm in the Midlands area. In the years that remained to him he was to suffer agonies from multiple myeloma (or myelomatosis), a particularly vicious strain of cancer that attacked his bones and caused them to disintegrate.
I had a job in
nearby Gwelo (now Gweru) so I used to motor up most weekends to make
sure they were okay. Eventually, I resigned and moved on to the farm
full time.
In a strange way his
illness brought us closer together.
As a child I had
always been slightly in awe of my father. To me he was this outgoing,
glamorous, figure who flew aeroplanes and for large tracts of time
had been absent from my life, working in distant locations that I
only knew as places on a map.
His life had all the
ingredients an impressionable young boy could ask for – plot,
action, adventure, a dashing hero. What I didn’t realise back then
was that he never saw it quite like that. Nor did I fully understand
the impact the war had on him.
Perhaps it was his awareness that he would not last much longer or maybe it was the fact that I was now a serving soldier myself but for the first time in his life he began to open up about his experiences as a bomber pilot during the war. He talked about what it was like flying at night in slow, heavy bombers and being picked up in the lattice of searchlights and being strafed by the German anti-aircraft guns. He told me about the fear and how he had always tried to fly higher than everybody else in the hope that it would make it more difficult for the Germans to shoot him down.
He had served in all the major theatres of the war.
Starting off as a Flight Lieutenant he was promoted to Wing Commander in August 1941, an enormous responsibility to be placed on the shoulders of a young man still in his early twenties and one which must have forced him to mature at a very rapid rate. As the officer commanding 113 Squadron he saw action in North Africa and was also stationed, for a while, on Malta. At Giarabub (Italian for Jarabub), a remote oasis in the eastern Libyan desert, he got a taste of what it was like to be on the receiving end when his squadron and ground crew were bombed by the Luftwaffe while they were living among the gullies and wadis (see pic below).
Giarabub, Western Desert. My father in centre. 1941.
Living quarters, Giarabub, 1941. My father in Arab head gear by tent.
In December 1941, he led the first group of bomber planes on the long flight to Burma, arriving there just as the unstoppable Japanese army was about to begin its long sweep through Malaya, Singapore and Hong Kong; even crossing the borders of India itself.
The road to Mandalay, Burma. My father seated.
His exploits in the area did not go unnoticed. He gets a mention in the book Retreat in the East by O.D.Gallagher, who was the London Daily Express’s war correspondent in Malaya and Burma (published by George Harrop, 1942). The author flew with my father on one of his missions. He also appears, together with other members of 113 Squadron, in a 22nd February, 1942, British Paramount newsreel (“Burma Blenheim Bomber Boys Part 1”) covering the retreat.
I only recently got
to see this news clip. It felt quite strange looking down the long
passage of time and seeing my father as a young man, surrounded by
his crew. They all looked tanned and fit in their khaki outfits and
surprisingly relaxed, given the hammering the British were taking,
but also a little self-conscious, pinning their smiles on for the
benefit of the cameraman.
After his stint in the Far East he returned to Bomber Command and took part in some of the big raids over Europe. Among them was one which the Times of London, on November 20, 1943, described as the largest ever over Berlin: “In half an hour a great force of Lancasters dropped more than 350 4,000lb block-busters on the German capital, in addition to a great weight of incendiary bombs”. A total of 32 bombers were lost.
One of the many planes he flew was the legendary “Just Jane” which would go on to complete a total of 123 sorties. It was only one of 35 Lancasters to achieve the “Ton-Up” mile-stone during the war. It is included in the book Ton-up Lancs: A Photographic History of the 35 Lancasters That Each Completed 100 Sorties by Norman Franks (Published by Bounty Books).
Heading towards Germany
He is also mentioned in Bruce Barrymore Halpenny’s Action Stations 2: Military airfields of Lincolnshire and the East Midlands while the same author devotes an entire chapter – headed A Rhodesian’s adventure over Stettin – to his exploits in To Shatter the Sky: Bomber Airfield at War (Published by Patrick Stephens Cambridge).
There is another, later, film by British Pathe (“Berlin Raids 1943”) which features an interview with my father, this one taken after he had just returned from leading a huge bombing raid on Berlin. It tells a different story to the earlier newsreel. You can see from his eyes that the strain of the war has begun to take its toll, the smiles have all gone and there is a faint tremor in his voice as he talks.
With Squadron Leaders.
Interview with crew of 61 Squadron after bombing raid on Berlin, November, 1943. My father behind microphone..
He was awarded the Distinguished Flying Cross for bringing his badly shot-up Lancaster safely back to England (see citation below*) after a bomb drop over Stettin. It warranted a story in the Rhodesia Herald back home.
Sitting listening to him talking about those times I began to get a glimpse of what it must have been like, piloting a four-engined Lancaster, taxi-ing down the runway and then lurching off into the dark, rainy night and heading out across the channel to drop thousands of tons worth of bombs on some heavily defended target. In the back of his mind there must have always been the fear he might not return or see his family again.
He was, in fact, one of the exceptionally luck ones who did survive the war – virtually every other pilot on his officers’ training course was killed in action.
By any standards he lived a full life. At the end of the war, as part of the Berlin Airlift, he started flying a plane that was already a legend and remains so today – the DC3 or Douglas Dakota. Considered a reliable old warhorse it was a plane that would play a large part in and shape his future.
After demobilisation he returned to Southern Rhodesia and become a commercial pilot working for Central African Airways flying both inside and outside the country.
In cockpit.
CAA, 1946-56
In those days the
flight from Salisbury to London took six-days and by the end of it a
strong sense of comradeship had invariably developed between
passengers and crew.
He resigned from CAA in 1956 after a dispute and joined Hunting Clan Airways, principally flying within Southern Rhodesia and further afield to Tanzania, Kenya, Mozambique and South Africa. My main memory of those days is him returning home from Vilanculos in Mozambique weighed down with big demijohns of Portuguese wine, coconuts and apple boxes full of fresh crab.
With young family – from left: Paul, Peter, Patrick, Anthony.
As an airman he
lived in a more swashbuckling era when commercial aviation was still
in its infancy and few people thought of going by plane, the majority
opting to travel by ship. Flying in and out of dusty, fly-infected
airfields in those rattling, bouncy, propeller-driven crates with a
minimum of on-board comforts and only limited navigation aids it was
an adventure.
It was a lifestyle which certainly suited my father. A non-conformist in a uniform, who somehow managed to combine a strong sense of duty with an inate rebelliousness, he never cared much for the rigidly scheduled, heavily regulated industry flying was to become with planes cruising in the stratosphere with hundreds of passengers, air-conditioning, on-flight movies and pre-prepared meals.
He was, however,
very excited by his late conversion to flying jets.
As a pilot he had
gone where he wanted, he had travelled the length and breadth of the
continent in the days before Rhodesia had become a pariah state, cut
off from the rest of the world and when Africa was still accessible
to all. Equally at home gambling in a casino on the French Riviera or
marooned on some remote frontier, he liked solitude and rough living
but also good company, friends, good food and drink and laughter.
You never knew who you might find breakfasting in the kitchen after a night out at the local pub. One such person was an engineer named John Louch who needed a place to stay for the night and ended up living in our Francistown house for two-years.
John Louch next to his red Grumman. Also a very young James Stidolph.
Various family members being escorted off DC4 by Flight Attendant, Maverick-the-Dog. Francistown.
He was good at what he did and his colleagues always talked with reverence of Dad’s flying skills. It was easy to understand why my mother had been so attracted to him when she had first met him as a young flight officer fresh out from Rhodesia. In her memoirs, she recalls how she had lived all her life in country villages “not knowing any boys, let alone glamorous young men”.
My mother – Monica Mary Bridgen.
The marriage of Wing Commander RN Stidolph and Monica Mary Bridgen at Herstmonceux Church.
My father next to bi-plane. Drawing by my mother, Monica Stidolph.
A scrapped sketch of my father by my mother, Monica Bridgen, done when she was 17-years old. I think it was a very good likeness!
Equally smitten with the shy but beautiful young English rose, my father went out of his way to impress, even going so far as to swoop down low over her school in his open cockpit bi-plane – a highly illegal act – while she was playing netball, causing her to fall and graze her knee. Handsome, ebullient and full of life, he was a born optimist with a natural talent for minimising life’s problems and a great faith in his own ability to get a job done.
My father (briefly sporting a moustache) and mother, Wing Commander and Mrs Stidolph.
He had charm, wit and sparkle. He could also be irritable, quick tempered, impetuous, tactless and impatient – personality traits which, I suspect, could be partly traced back to the accumalative stress of flying on so many dangerous missions during the war.
Beneath his jovial,
practical, no nonsense, manner and intolerance of dull people and
wishy-washy thinking, lay a vein of creativeness which found
expression in his, at times, rather Heath Robinson inventions and in
fixing up dilapidated old cars (he didn’t buy second hand, more like
– tenth hand).
His creativity did
not end there. In his early years he had dabbled in oil paintings –
one of his pictures (of a demijohn of wine) hung on the wall of every
house we ever lived in. It was rather good.
I didn’t realise until after he died and I got to read some of the poignant letters he had written home to my mother that he had also once harboured ambitions to be a writer. That he had a talent for it is certainly born out in a wonderfully evocative piece he wrote titled: A Trip from Muscat through Oman to Qatar in the Persian Gulf.
Despite his foray in to farming he remained first and last a pilot. From an early age he had been obsessed with the romance of flying and the sound of humming propellors – even defying his father’s orders by signing up with the RAF before the war– and it was here he really made his mark. During his career he completed 23,817 hours of flying over 42-years, including over 20,000 hours in command. He flew 48 types of aircraft for eight organisations on three continents in 44 countries. He landed in over 350 different airfield.
To the end he remained very much his own man and, despite his illness, still retained something of his old zest for life and vitality. He was larger-than-life, one of a kind, a bit of a legend.
Like his beloved Dakotas, they don’t make them like that any more…
* The award was gazetted on the 25 January 1944 (Issue 36346, pages 481 – 482) and reads:
Distinguished Flying Cross.
Wing Commander Reginald Neville Stidolph (375I3). Reserve of Air Force Officers, No. 61 Squadron. One night in January, 1944, this officer was the pilot of an aircraft detailed to attack Stettin. Soon after bombing the target the aircraft was attacked by a fighter. The enemy aircraft was eventually driven off, however, and was seen to dive steeply smoke pouring from one of its engines. In the encounter, Wing Commander Stidolph’s aircraft sustained extensive damage, making it extremely hard to control; 1 engine was also rendered useless and had to be feathered. In spite of this Wing Commander Stidolph flew the disabled aircraft to an airfield in this country and effected a safe landing. He displayed skill, courage and resolution of a high order. This officer has completed very many attacks against targets such as Berlin, Hamburg and Dusseldorf.
My father’s Distinguished Flying Cross
His World War Two Service Medals
34 Squadron (India)
113 Squadron (Egypt and Burma)
61 Squadron. The “Lincoln Imp”. Variously based at Skellingthorpe, Syerston and Coningsby
The above are three of the squadrons my father served in and whose badges hang on my wall. There were others…
GALLERY:
(1) My father joined the RAF, before the war, in November 1935 and served right through to its end in 1945. Here are more some photographs from that period.
Senior commanders course, Cranwell, 1944.
Hawker Hart.
Hawker Hart squadron.
In bi-plane.
With Harry Bridgen (second left), my mother’s brother.
At Hamble.
In flying gear.
My father gets his “wings”.
Wings
At Skellingthorpe, 1944.
The big catch.
With flight commanders and section leaders, Coningsby, 1942-44.
1945.
With author Alan Moorhead in Alexandria.
299 Squadron, Shepherds Grove, November 1945. which my father commanded.
(2) From March, 1960, to about February, 1966 my father worked outside the country, based, in turn, at Bahrein in the Persian Gulf, Sierra Leone and in Khartoum where he was employed by Sudan Airways.The following photos come from this period of his life:
In Bahrein.
Dakota at Rhub-el-Khali.
Rhub-el-Khali.
Bahrein.
Dakota about to take off in desert.
Juba Airport, South Sudan.
Nap time again.
Juba Airport, South Sudan.
ACKNOWLEDGEMENTS: A special thanks to my brother, Patrick, whose extensive research in to my father’s flying career I have been able to draw on here. Pat’s research now forms part of the No50 and No61 Squadron Association official record.It was Patrick who also drew my attention to an article written by Ross Dix-Peek about my father’s war-time career.
When it comes to mountains I am with the ancient Greeks – I believe they are the right and proper dwelling place for the Gods. My own sense of awe and wonderment when in their presence stems, in large part, from my childhood experiences on our farm, Nyangui, which lay at the very end of The Old Dutch Settlement Road, in Nyanga North, Rhodesia (now Zimbabwe).
The mountain range which ran along our eastern boundary was shrouded in legend and was dominated by Mt Muozi, a steep, semi-detached peak attached to the main Nyanga plateau by a narrow saddle. Looking like some great fortress and frequently masked by cloud, it played a pivotal role in local belief system.
To the Saunyama people, who live nearby, Muozi had always been an extremely sacred site, harbouring a protective, if somewhat touchy, deity through whom all life was cycled and who had an important influence over both their lives and the weather. Upset it and you would be punished with the curse of no rain; give it the proper respect and make the right offerings, your crops would flourish and all would be well.
In an area where every stream, knoll, rock, cranny, glade, cleft and grove seemed to have its own special spiritual connection, it was the most revered of them all, the epicentre of an important rain-making cult, a mountain whose significance extended way beyond the mere physical. It was a gateway to another dimension, a bridge between past, present and future.
Muozi – the centre of an imporant rain-making cult.
When we were still on the farm a new chief was chosen for the Saunyama people and was then led by an ox up the mountain as tradition dictated. The fact that it rained, as he proceeded up its slopes, was taken as a sign that the ancestors had given their blessing to his appointment.
It may or may not have been coincidental that the three mission stations established in our area – St Mary’s, Mount Mellary and Marist Brothers – had all been built in the long shadow cast by Muozi (or Rain God Mountain as my father liked to call it).
To the bringers of light in a great darkness, carriers of the word of God to a heathen race, such beliefs and superstitions must have provided ready proof that their presence was urgently required. Here were souls in need of salvation!
One of the taboos concerning the mountain was that ordinary tribes-people were forbidden from climbing it. Determined to prove, once and for all whose God, was the more omnipotent, a local missionary decided to lead a party of school children to its summit.
The summit of Muozi with my sister Sally sitting on cliff edge. Nyangui mountain in background. Picture courtesy of Sally Scott.
Again, it may or may not have been a coincidence, but that year the whole region experienced a devastating drought.
Depending on what angle you tackle it from, it would, admittedly, have been a fairly tough climb. Vaguely volcanic in outline, although that is not how it was formed back in early geological time, the mountain has, at its top, a massive tower of square-sided, near vertical, rock. The easiest way to reach the summit would, in fact, be to double back to Nyanga and drive along the old road that runs along the top of the range and then walk over the saddle that links Muozi to the main plateau. That, however, would probably have felt like a cop-out – far better the little children suffer for their sins by making them slog their way up from the bottom!
Muozi – connected by a saddle to the main Nyanga plateau. Nyangui in background. Picture courtesy of Paul Stidolph.
Another legend concerning Muozi was that if there was ever a cloud in the sky, there would always be one hovering over it. We were constantly amazed by how often this proved to be true although I suppose a meteorologist may be able to come up with a perfectly logical and reasonable scientific explanation about precisely why this should be so.
It was easy to see why Muozi should have become an object for such devotion. Although by no means the highest peak in the range (neighbouring Nyangui, for example, exceeded it in height), its magnificence consisted of something else. With its dramatic cliffs and crags it was more sharply formed and was much more striking to look at than any of the other mountains in the Nyanga range
I was always fascinated by this mountain amongst whose vapours both good and bad spirits seem to have learnt how to co-exist. One moment it could seem dark and threatening, the next it was as welcoming as some benevolent old giant.
Cranky, changeable, a totem for our more fearful imaginings, it has, for me, come to symbolise an Africa that has increasingly become consigned to the world of books, banished by the rising tide of humanity and economic development. Here, something of the old magic still clings to the earth.
From this point of view, I, too, felt the mountains should be treated with circumspection – it was a deity to be wooed and won over and then revered and respected; its was not one you wanted to trifle with or cross.
The original Summershoek house. Mt Muozi in background.
When we were still in the process of moving out to the farm, way back in the early 1960s, we had often stayed in the cottage that J.Bekker, one of the original Afrikaner settlers in the district, had built, in the traditional Dutch-style, at its base. When we moved out there, Summershoek, the farm on which it stood, was owned by Marshall Murphree, an American missionary who in 1970 would become Rhodesia’s inaugural Professor of Race Relations. He and his family did not live there permanently but used it as a holiday home.
At night, with its peak washed white in the moonlight and a gentle wind sighing down from the slopes, I often used to feel like I had crossed through some portal into another world, one that was both a little scary and also unimaginably beautiful – a feeling that only intensified as more stars appeared and the nightjars started calling.
Adding to its allure was the fact that there were still leopard living on it. One of them attacked old Charlie, the aged caretaker of the property, as he was out rounding up cattle and was then swiftly despatched by his equally ancient wife who brought an axe down on its skull. Displaying still more commendable fortitude – as well as devotion to her spouse – she then staggered back home, carrying Charlie, so that my mother could attend to his wounds.
I was not the only one who felt Muozi’s strange power. Our Malawian gardener, Devite, who we had bought out with us from Salisbury (now Harare), lived in such fear of the mountain – he talked about seeing white, ghostly figures going in and out of it – that after a few months he decided he had had enough. Packing his few possessions in a battered old suitcase, he caught a train and headed ‘Down South’ to Jo’burg, to look for a job on the gold mines.
A couple of years later – by which stage we had moved to our new house on the neighbouring Witte Kopjes farm – we were astonished to see his thin, skeletal figure hobbling up the road. For him at least, South Africa had not proved to be the land of money and opportunity. He also appeared to have had a rethink and decided he could live with the ghouls and malign spirits that inhabited the mountain for he carried on working for us for the rest of his remarkably long life.
All that remained of the old Summershoek house when I went back to visit it twenty-years after the Rhodesian bush war ended.
When we were forced off the farm during the Rhodesian Bush War, I was sad to say goodbye to that great brooding mountain and the wild country at its feet.
Looking back on those days I realise what a pivotal role it played in my life. No other landmark has affected me as deeply or had such influence on my imaginative development or provided me with such a rich vein of memories. Living in its shadow, imaginative doors were opened, creative juices started to flow, ways of seeing begun.
Conventional wisdom
has it that one of the biggest threats facing the planet is is our
burgeoning population. No less a body than the United Nations has
forecast that it will increase from seven billion to eleven billion
before levelling off after 2100.
In this provocative
book, authors, Darrell Bricker and John Ibbitson take a contrary
view, insisting that this is simply not true. Rather than continuing
to increase exponentially, they maintain, the global population is,
conversely, headed for a steep decline.
At the heart of
their argument is the world wide trend towards rapid urbanization.
The more a society urbanizes, they believe, and the more control
women exert over their bodies, the fewer babies they choose to have.
This declining birth
rate will, in turn, produce its own set of challenges – an ageing
society, fewer workers, a smaller tax base. These forces will compel
people to put off retirement; they’ll force them to spend more time
and energy looking after their parents than they had planned.
One of the obvious
ways to offset a declining population is through immigration. Far
from posing a threat, they maintain immigration may actually help
save some countries economies: these migrants fill gaps in demand
for high skilled workers, create jobs through their entrepreneurial
drive and rarely generate competition for jobs between immigrants and
the native-born.
In this respect,
they argue that Donald Trump is fighting a lost cause with his
divisive policies and hard line stance on immigration. Contrary to
what he believes, the only way for America to remain great is to
continue welcoming immigrants.
Not that the USA is
in any way unique in its position. Most Asian countries accept
virtually no refugees at all and many are now paying the
consequences. Japan’s population, for example, is not only ageing but
shrinking, leaving a much smaller work force. This is, in turn, has
lead to a weakening of their economy.
They cite Canada as
an example of a country whose more progressive immigration laws have
worked in its favour.
With regard to
Africa the UN doesn’t hold out much hope either, believing that the
fertility rates will remain high for decades to come. Again the
authors don’t agree, predicting a slightly more encouraging scenario.
While acknowledging the huge problems the continent faces they
believe the commingling of capitalist and traditional values will
very likely slow the massive population growth that most modern
modelers are projecting.
While careful not to
overstate their case, Bricker and Ibbitson’s central thesis is quite
different to the bleak world view and dismal remedies of the
neo-Malthusians. Nor is it just wish-thinking either; they have
obviously put in a great of research in to the subject and marshalled
a great deal of material together with commendable skill.
With immigration
and population-control both hot political topics at the moment, the
book’s arrival is perfectly timed. Its conclusions will certainly
warm the hearts of the increasingly beleaguered multiculturalists and
those who oppose isolationism.
There is a class of
travel writer who seem to delight in deliberately seeking out danger
and are at their happiest when the going is manifestly not good. For
them such journeys can be redemptive. They escape feeling a little
wiser and – equally important – they have an exciting story to
tell.
Levison Wood
clearly belongs to this group: a man who is not one to flinch in the
face of adversity.
Ignoring the advice
of the pundits and the doom-sayers he, in 2017, embarked on an epic
5000 mile journey through the Mid-East, knowing full well that much
of it was in turmoil and that as a Westerner he could have easily
found himself a target..
Travelling sometimes on foot, at other times by camel, mule, donkey and battle tank, his 13-country odyssey would take in such hotspots as Syria, Iraq (where he would find himself witness to a battle between its Government forces and ISIS) Yemen and the pirate-infested waters of the Gulf of Aden.
The Arab world he journeyed through has, of course, long exerted a mysterious fascination on a certain type of English adventurer; in part because its landscape is so dramatically different from the one back home and partly because its people seemed to embody strengths and virtues that challenged European arrogance.
The world that
these classic “British Arabists” – Richard Burton, TE Lawrence,
C.M Doughty, St John Philby, Wilfrid Thesiger, Gertrude Bell etc –
wrote about has, of course, been radically transformed by the
discovery of oil, with even the Bedu now swapping their camels for
the latest 4 X 4s. Part of Wood’s self-imposed mission was to
discover just how much it had, in fact, changed.
Following in the
footsteps of Thesiger he crossed the waterless Empty Quarter. He also
retraced the route taken by his idol, Colonel T.E.Lawrence, along the
old Hejaz railway line.
Rich in character
and anecdote Wood’s book conveys with unusual immediacy both the
stark beauty and the volatility of the Middle-East. While the scale
of the problems that beset the region defies anything that could be
dignified as solutions, he finds its people stoical in the face of
adversity and not without hope.
In 1947 South
Africa welcomed King George VI and Queen Elizabeth and their two
daughters, Princess Elizabeth (the future Queen) and Princess
Margaret on a Royal Tour which the then Prime Minister, General Jan
Smuts, hoped would put a positive spin on the country and its
achievements. For their part the British saw the visit as an
opportunity to not only thank South Africa for their contribution to
the war effort but also to reinforce the concept of a constitutional
monarchy as the binding force behind the Commonwealth.
As the author of The Last Hurrah: South Africa and the Royal Tour of 1947, Graham Viney, shows, in his persuasive and beguiling guide, not all went quite to script. Indeed, the whole lengthy and carefully planned shindig proved to be something of a double-edged sword.
While most
English-speaking, white South Africans greeted their Royal Guests
with an enthusiasm and patriotic fervour that is now hard to imagine,
others saw it as a golden opportunity to highlight their various
causes. Many Afrikaners, still smarting from their treatment during
the Boer War, were deeply resentful and used the visit as a platform
from which to push their conservative, pro-republic, agenda. At the
other end of the political spectrum, the ANC saw it as a chance to
expose the evils of racial segregation
Although it brought
the world’s focus on to South Africa and it policies, the Royal Tour
of 1947 was not able to stall the country’s massive lurch to the
right. Shortly afterwards, Smut’s government was defeated at the
polls and the National Party took over the reins of power. The
apartheid era was about to begin.
Reading about it
all, seventy-odd years on, it is hard not to be impressed by the
sheer stamina of the Royal Party as they travelled 11 000 miles,
mostly by train, visited hundreds of out of the way dorps, shook
hands with over 25 000 people, attended countless boring functions,
and were seen by 60-70 per cent of the country’s population. Queen
Elizabeth, in particular, proved a fine ambassador. Gracious,
friendly, beautiful and reassuringly normal, she seems to have
charmed everyone she met.
Very much a blast
from the past, Viney’s book offers a revealing snapshot into a now
all but vanished world. Shrewd and absorbing in the way it captures
the complicated politics of the time, his fast-paced account pedals
along with never a dull paragraph as facts, events, characters and
period photographs flash by.